Issue

Illustration by <b>AMY FAN</b> for <i>ArtAsiaPacific</i>.

Tino Sehgal: It takes an urban village

Jumana Manna: Wild Resilience

Jumana Manna: Wild Resilience

Installation view of <b>TAN JING</b>'s

The Point: Self-organize and Self-educate

Portrait of <b>SIN WAI KIN</b>. All images courtesy the artist and Blindspot Gallery, Hong Kong.

Sin Wai Kin: Self, World, Universe

<i>Who's in the Clouds</i>? (detail), 2021, two-part collage of inkjet prints and colored paper, 68 x 95.5 cm each. Photo by Andrea Rossetti. Courtesy the artist and Esther Schippe

Simon Fujiwara: All the World’s a Cartoon

Installation view of <b>BANG & LEE</b>'s <i>The Place That Has No Name</i>, 2021, three-channel video with
stereo sound system, wall text, drawing, 3D animation, 3D printed ceramic

Taichung: 2021 Asian Art Biennial

<b>WIFREDO LAM</b>, <i>The Casting of the Spell</i>, 1947, oil on burlap, 109.5 x 91.4 cm. Copyright the Artists Rights Society, New York/ADAGP, Paris. Photo by Peter Clough. Court

New York: Wifredo Lam

<i>The Politics of Art: Dissent and Cultural Diplomacy in Lebanon, Palestine, and Jordan</i> by Hanan Toukan, published by Stanford University Press, Stanford, California, 2021. Ph

Hanan Toukan's The Politics of Art

<i>Godzilla: Asian American Arts Network 1990-2001</i> edited by Howie Chen, published by Primary Information, New York, 2021. Photography by Peter Chung for ArtAsiaPacific.

Godzilla: Asian American Arts Network 1990–2001

<i>Art and its Worlds: Exhibitions, Institutions and Art Becoming Public</i> edited by Bo Choy, Charles Esche, David Morris, and Lucy Steeds, published by Afterall, with Asia Art A

Art and its Worlds: Exhibitions, Institutions and Art Becoming Public

<b>APRIL LIN</b>, <i>(Tending)(to)(Ta)</i>, 2021, still from video: 1 hr 6 min 34 sec. Courtesy the artist; and Obsidian Coast, Bradford-on-Avon.

New Currents: April Lin 林森

Installation view of <b>ATSUKO MOCHIDA</b>'s <i>Steps</i>, 2021, iron and wood, approx. 6 x 7.5 x 7.5 m, at Terrada Art Award 2021 Finalists Exhibition, Tokyo, 2021. Photo by Tatsu

New Currents: Atsuko Mochida

Installation view of <b>LE HIEN MINH</b>'s <i>The States of Mind</i>, 2019, Vietnamese handmade Do paper, dimensions variable, at Myoraku-ji temple, Fukuoka, 2019. Courtesy the art

New Currents: Lê Hien Minh

A screenshot from Meta’s video

News Introduction: Meta Morphing