Issue

Up Close: Chu Chun-Teng

Up Close: Chu Chun-Teng

Portrait of <b>AMOL K. PATIL</b>. Photo by Parul Sinha. All images courtesy the artist.

Amol K. Patil: Poetic Power

<b>TAP CHAN</b>, <i>Duplicity</i>, 2022, thermal plastic, Jesmonite, fake plant, real plant, 44 x 146 x 40 cm. All images courtesy the artist and Mine Project, Hong Kong.

Up Close: Tap Chan

<b>JENNIFER TEE</b>, <i>Tampan World Mountain, Tree of Life</i>, 2021, tulip-petal collage on paper, 172 x 188 cm. Courtesy the artist and Galerie Fons Welters, Amsterdam.

Up Close: Jennifer Tee

<i>Genesis 9:16 (After Gauguin)</i>, 2020, Hahnemuhle fine art paper mounted on aluminum, 73.2 x 91.5 cm. Courtesy the artist and Milford Galleries, Dunedin/Queenstown.

Yuki Kihara: Trouble in Paradise

Installation view of

Nunelucio Alvarado: Sugar and Salt of Life

<i>Post-Conjunction 11-3</i>, 2011, mixed media, 120 x 180 cm. Photo by Chunho An. Courtesy the artist and Kukje Gallery, Seoul/Busan.

Ha Chong-Hyun: Method and Materiality

Installation view of <b>ELMGREEN & DRAGSET'</b>s <i>What's Left</i>, 2021, silicone, clothing, wire rope, and balancing pole, dimensions variable, at 'Useless Bodies?

Inside Burger Collection: Elmgreen & Dragset

Blast from the Past

Blast from the Past

Installation view of <b>JUMANA MANNA</b>'s

Antwerp: Multipolar Horizon

<b>FITRI DK</b>, <i>Kami Muzi Dia Wawo Tana</i>, 2019, woodcut print on paper, 80 x 60 cm. Courtesy the artist.

Being Together

<b>PIERRE HUYGHE</b>, <i>Streamside Day</i>, 2003, still from 16 mm film and video transferred to digital Betacam with color and sound: 26 min. Courtesy the artist and Marian Goodm

One on One: James Clar on Pierre Huyghe

<b>NURBOL NURAKHMET</b>, <i>Wednesday</i>, 2018, oil on canvas, 200 × 200 cm. Courtesy the artist.

Dispatch: Almaty

Portrait of <b>ATONG ATEM</b>. Photo by Kristoffer Paulsen. Courtesy the Art Gallery of New South Wales, Sydney.

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