Issue

Installation view of <b>ISAAC CHONG WAI</b>'s <i>Crying Streetlight in Tiananmen Square</i>, 2022, metal and cable chains, 310 x 200 x 200 cm, at

Istanbul: Isaac Chong Wai

Detailed installation view of <b>MIRE LEE</b>'s <i>Look, I'm a fountain of filth raving mad with love</i>, 2022, mixed-media installation, dimensions variable, at the Museum fur Mo

Frankfurt: Mire Lee

Installation view of <b>HIRAKI SAWA</b>'s

London: Hiraki Sawa

<b>JOEUN KIM AATCHIM</b>, <i>A Study for the Fish DInner (The Original Memory Game after al di la),</i> 2019-22, mineral pigment and refined pine-soot ink on silk mounted on alumin

New York: Joeun Kim Aatchim

<b>CARLOS VILLA</b>, <i>Painted Cloak</i> (verso), 1971, acrylic paint on canvas with taffeta lining and feathers, 185.4 x 315 x 61cm. Courtesy the Asian Art Museum, San Francisco.

San Francisco: Carlos Villa

Installation view of <b>CHRISTOPHER K. HO</b>'s <i>CX 889</i>, 2022, site-specific installation, dimensions variable, at Vancouver Art Gallery Offsite, 2022. Photo by Scott Little.

Vancouver: Christopher K. Ho

<b>MUVINDU BINOY</b>, <i>Long Live the Innocent II</i>, 2022, giclee print on archival photo paper, 71 x 114.3 cm. Courtesy the artist and Saskia Fernando Gallery, Colombo.

Dispatch: Colombo

Portrait of <b>ABBAS ZAHEDI</b>. Photo by Balint Alovitz and That's So CSM. Courtesy Frieze.

News Roundup 130: Controversy, Career Moves, Public Domain

To Guide and to Desert

To Guide and to Desert

<b>GEORGE CONDO</b>, <i>Transparent Female Forms</i>, 2009, acrylic, chalk and pastel on linen, 198.1 x 289.2 cm. Courtesy Phillips Hong Kong.

Auction Report: Youthful Energy

<b>YU HONG</b>, <i>Direction</i>, 2020, acrylic on canvas, 140 x 150 cm. Courtesy the artist and Lisson Gallery, London/New York.

Art Fair Report: Next Stop

<b>Tom Tandio</b>

Whispering Gallery: Rebalancing Acts

Illustration by <b>KITSON WONG </b>for ArtAsiaPacific.

The Point: Crisis and Opportunity: Hong Kong Art Education in Recent Years

<b>KIM EUNHO</b>, <i>Portrait of King Sunjong</i>, 1923, ink on paper, 45.5 x 23.5 cm. Courtesy the Estate of Kim Eunho and the National Museum of Modern and Contemporary Art, Kore

Previews: Sites of Exchange