Issue

Installation view of <b>SHARON LEE</b>'s <i>If Tomorrow Never Comes</i>, 2021-22, double-layered mounted inkjet print on paper, lightbox, and single channel video, each 160 x 160 c

Hong Kong: An Interview with Sharon Lee

Installation view of <b>NGE LAY</b>'s <i>Printemps 21</i> series (2022) at

Yangon: An Interview with Nge Lay and Aung Ko

The Ismail Marzuki Park Plaza in Jakarta with a mural depicting the late painter Raden Saleh. Image via Wikimedia Commons.

Jakarta: Decentralized Dilemma

<b>CHANG YOONG CHIA</b>'s <i>Battle</i>, 2022, batik sarong (Remazol dye on viscose cloth), 116 x 188 cm. Photo by dinndiran. Courtesy the artist and Teoh Wing Wah.

Kuala Lumpur: With Feelers Out

Installation view of <b>MUNEM WASIF</b>'s

Dhaka: An Interview with Munem Wasif

<b>RASHID RANA</b>'s <i>IT LIES BEYOND</i>, 2022, augmented reality and inkjet print on vinyl site-specific installation, 4.7 x 7.8 x 42.1 m, at the 3rd Karachi Biennale. Copyright

Karachi & Lahore: Resolute Resilience

Installation view of <b>HE XIANGYU</b>'s <i>House of Nations</i>, 2022, single channel video with color and 5.1 surround sound, 28 min 58 seconds, at

Berlin: Coming on Strong

Installation view of <b>AKI SASAMOTO</b>'s <i>Sink or Float</i>, 2022, mixed-media installation, dimensions variable, at

New York: An Interview with Aki Sasamoto

<b>SAJJAD ABBAS</b>,<i> I Can See You</i>, 2013, print image with Arabic words on each side in stencil, 5 x 9 m. Courtesy the artist.

Festivals of 2022: Looking Beyond Repair

Installation view of <b>LOK CHITRAKAR</b>'s <i>Rakta Ganapati</i>, 2020, mineral pigment on cotton canvas, 188 x 163 cm, at Patan Museum, Kathmandu Triennale 2077, 2022. Courtesy t

Festivals of 2022

Installation view of <b>DANE MITCHELL</b>'s <i>Post Hoc (Palm)</i>, 2019-22, cell-tower palm tree, steel, acrylic, plastic, antenna, solid state drive, audio player, horn speakers

Exhibitions of 2022: Parallel Realities

Installation view of <b>DANIEL BOYD</b>'s oil-on-canvas paintings (left) <i>Captain No Beard</i> (2005) and (right) <i>Sir No Beard</i> (2007), oil on canvas, 192 x 108 cm and 183.

Exhibitions of 2022

Agenda 2023: Fairs and festivals to keep the art world spinning

Photo of <b>EDWARD YANG</b> during the filming of <i>That Day, on the Beach</i> (1982-83). Courtesy Taiwan Film and Audiovisual Institute. <br>

2023 Previews: Up Next