Issue

Installation view of <b>LEUNG CHI WO</b>'s (left) <i>My Random Diary 0</i>, 2023, single-channel video installation: 18 min 5 sec; and (right) <i>My Random Diary</i>, 2020, single-

Up Close: Leung Chi Wo

Installation view of <b>OLAF NICOLAI</b>'s <i>How to fancy the light of a candle after it is blown out</i>, 2018, UV light, photoluminescent color, 100 x 100cm, at Taipei Dangdai,

Art Fair Report: Hype Dance

<b>KONGKEE </b>and <b>DRAGON'S DELUSION WORKSHOP</b>, <i>Qu Yuan, Dragons's Delusion-Assasination, </i>2018, still from video: 10 min 37 sec. Copyright the artist. Courtesy the art

Chicago: “Kongkee: Warring States Cyberpunk”

<b>PRIYAGEETHA DIA</b>, <i>Landware</i>, 2022, still from video: 5 min 30 sec. Courtesy NTU Center for Contemporary Art, Singapore.

New Currents: Priyageetha Dia

<b>MEDINA BAZARGALI </b>and <b>KOKONJA</b>, <i>will there be freedom then? (erkindik bola ma eken sol kezde?)</i>, 2023, multimedia installation with hand tufted felt and computer

New Currents: Medina Bazarğali

<b>TAKASHI MURAKAMI</b>, <i>I open wide my eyes but see no scenery. I fix my gaze upon my heart</i>, 2007, acrylic and platinum leaf on canvas mounted on panel, 242.6 x 282cm. Copy

Auction Report: Flagging Hopes

Portrait of <b>AKI SASAMOTO</b>. Photo by Takehiro Iikawa. Courtesy the artist and Calder Foundation, New York.

134 News Roundup: Awards, Obituaries

<b>KYUNG-ME</b>, <i>The Marriage</i>, 2022, ink and charcoal on paper, 81.3 x 121.9 cm. Courtesy the artist.

New Currents: Kyung-Me

Detailed installation view of <b>TAREK ATOUI</b>'s <i>The Elemental Set</i>, 2019-23, ceramic, percussion instruments, water systems, sound, and electronic components, dimensions v

The Sketch: Tarek Atoui

*IMAN RAAD*, <i>Days of Bliss and Woe: A Third Language</i>, 2018/22, synthetic polymer paint on plywood and timber, 115 panels, overall dimensions variable. Copyright the artist.

Brisbane: “A Third Language”

Portrait of <b>ANDREW LUK</b> in his Tai Kok Tsui studio. All images by Oliver Clasper for <i>ArtAsiaPacific</i>.

Andrew Luk: Echoes of the Past

*MASAHISA FUKASE*, _91.11.10_ from the _Bukubuku_ series, 1991, gelatin silver print, 42.9 x 28.5 cm. Copyright Masahisa Fukase Archives. Courtesy Tokyo Photographic Art Museum.

Tokyo: “Masahisa Fukase: 1961–1991 Retrospective”

Installation view of *REY CONCEPCION*'s <i>The Last Paper Pinwheel</i>, 2023, serigraphy on acrylic cast sheet paper, wooden pedestal, dimensions variable, at

Manila: “Parched Earth, Ardent Spring”

*ALIZA NISENBAUM*, <i>In Search of Lost History</i>, 2022, oil on linen, 190.5 x 241.3cm. Photo by Thomas Barratt. Copyright the artist. Courtesy the artist and Anton Kern Gallery,

14th Gwangju Biennale: “soft and weak like water”