Issue

Installation view of *CHARLES MUNKA*'s

Tokyo: “Charles Munka: Tameshigaki (lignes de vies)”

Installation view of *KISHIO SUGA*'s _Infinite Situation II (steps)_, 1970, performance and installation with sand and concrete at

Kyoto: “Re: Startline 1963–1970/2023”

*JUNG KANGJA*, _Kiss Me_, 1967/2001, mixed media, 120 x 200 x 50 cm. Courtesy MMCA, Seoul.

Seoul: “Only the Young: Experimental Art in Korea, 1960s–1970s”

*MARYN VARBANOV*, _Bleu Mise en Rapport_, 1978, sisal, wool and silk thread, dimensions variable. Courtesy of BANK/MABSOCIETY and the artist.

Shanghai: “The Threads of Destiny: Maryn Varbanov, Works from the 1970s, with Song Huai-Kuei”

*SONG HUAI-KUEI* with _Composition 2001_, 1969, a collaborative textile work with *MARYN VARBANOV*, at the 5th Lausanne International Tapestry Biennial, 1971. Photo by Marcel Imsan

Hong Kong: “Madame Song: Pioneering Art and Fashion in China”

Installation view of *APINAN POSHYANANDA*'s _How to Explain Art to a Bangkok Cock_, 1985, remade 2019, acrylic on wood, five-channel video: duration variable. Photo by Joseph Nair.

Singapore: “See Me, See You: Early Video Installation of Southeast Asia”

*VIRIYA CHOTPANYAVISUT*, _Blooming in gaps_, 2021, gelatine silver print, dimensions variable. Courtesy Jim Thompson Art Center, Bangkok.

Bangkok: “Nontawat Numbenchapol, Kridpuj Dhansandors, Rungruang Sittirerk, and Viriya Chotpanyavisut: Uncountable Time”

*DONGHYUN SON*, _Travelers among mountains and streams_, 2023, ink, acrylic ink and rubbing ink on paper, mounted on wooden panel, 194 x 130 x 3 cm. Photo by Jongwan Jo. Courtesy t

Berlin: “Dui Jip Ki”

Installation view of *HAEGUE YANG*'s

Ghent: “Haegue Yang: Several Reenactments”

*ANDRO WEKUA*, _That Portrait_, 2023, oil on canvas, 44 x 33 x 3cm. Photo by Timo Ohler. Courtesy Spruth Magers, London.

London: “Andro Wekua: There”

Book Review: “Big Tail Elephant: Build and Resist”

Book Review: “Big Tail Elephant: Build and Resist”

Book Review: “Japanese Photography Magazines: 1880s to 1980s”

Book Review: “Japanese Photography Magazines: 1880s to 1980s”

Book Review: “Art in the After-Culture”

Book Review: “Art in the After-Culture”

Portrait of *LEE BAE* by Roberto Battistini. Courtesy the artist.

Lee Bae