Issue

Installation view of *HAEGUE YANG*'s

Ghent: Haegue Yang

*ANDRO WEKUA*, _That Portrait_, 2023, oil on canvas, 44 x 33 x 3cm. Photo by Timo Ohler. Courtesy Spruth Magers, London.

London: Andro Wekua: There

Book Review: Big Tail Elephant: Build and Resist

Book Review: Big Tail Elephant: Build and Resist

Book Review: Japanese Photography Magazines: 1880s to 1980s

Book Review: Japanese Photography Magazines: 1880s to 1980s

Book Review: Art in the After-Culture

Book Review: Art in the After-Culture

Portrait of *LEE BAE* by Roberto Battistini. Courtesy the artist.

Where I Work: Lee Bae

*SIMONE FATTAL*, _Ishtar_, 2004, glazed stoneware, 22 x 5.5 x 1.5 cm. Photo by Francois Doury. Courtesy the artist.

The Sketch: Simone Fattal

Daniel Lie: In Relation to Rot

Detail of <b>WONG PING</b>'s <i>Sorry for the late reply</i>, 2021, still
from single-channel video animation, color,
with sound: 15 min. Image courtesy the
artist and Kiang Maling

Editor’s Letter: Natural Collaborators

<i>Sorry for the late reply</i>, 2021, still from single-channel video animation: 15 min. Courtesy the artist; Kiang Malingue, Hong Kong; and Tanya Bonakdar Gallery, New York / Los

Wong Ping: Animating Absurdity

Installation view of <b>RENZ BALUYOT</b>'s <i>God Bless Our Trip IV</i>, 2023, folding bed, fiberglass mannequin, fabric, stainless steel rods, silkscreen on rust dye, and fresh sa

Holy Motors: Getting Around in Manila

Exterior view of the National Gallery of Australia (NGA) in Kamberri/Canberra, 2018. Copyright and courtesy NGA.

News: Aboriginal Show Postponed Amid Authorship Disputes

Photo of <b>TERRY SMITH</b> delivering keynote address “Renewing African Art and Discourse within the Postcolonial Constellation” at March Meeting 2023, at the Africa Hall, Sharjah

The Postcolonial Condition After Enwezor

Portrait of <b>GAYATRI CHAKRAVORTY SPIVAK</b>. Photo by Alice Attie. Courtesy Gayatri Chakravorty Spivak FBA.

One on One: Han Mengyun on Gayatri Chakravorty Spivak