Issue

Detail of <i>Mother of Pearl</i>, 2021, color print on satin, 76.2 x 127cm. Photo by Daniel Vincent Hansen. All images courtesy the artist and Empty Gallery, Hong Kong, unless othe

Jes Fan: Precious Wounds

<b>ROBERT LANGENEGGER</b>, <i>

Manila: Phylogeny of Desire

<b>YUNIZAR</b>, <i>Ayam Jantan Merah (Red Rooster)</i>, 2020, acrylic on canvas, 160 x 180 cm. Courtesy Gajah Gallery, Singapore / Jakarta / Yogyakarta.

Art Fair Report: Back in the Groove

Installation view of <b>JAFFA LAM</b>'s (left) <i>A Piece of Silence from Lying (standing mode)</i>, 2022, graphite, luminous painting on recycled pine wood from crate box, 260 x 2

Hong Kong: Jaffa Lam

Installation view of <b>PINAREE SANPITAK</b>'s <i>Temporary Insanity</i>, 2004, silk by Jim Thompson, synthetic fiber, battery, motor, propeller, sound device, dimensions variable,

Bangkok Art Biennale 2022: Chaos : Calm

Installation view of <b>DANE MITCHELL</b>'s

The Point: The Museum of Without

<b>ALBERTA WHITTLE</b>, <i>A Black footprint is a beautiful thing</i>, 2021, still from HD, 2K and mobile phone footage: 11 min 30 sec. Courtesy of the artist and The Modern Instit

Previews: March–April, 2023

Photo of <b>KUMPANYA</b>'s performance <i>What is it this time?</i> (2002), featuring Bilge Arat and Ulku Duru in Galatasaray Square, Istanbul. Photo by Kumpanya archive. Courtesy

Istanbul: The 90s Onstage

Installation view of <b>BERNY TAN</b>'s <i>Talismans for Disentanglement</i>, 2021, pearl cotton thread and calico, dimensions variable, at

New Currents: Data Driven Dream

<b>KIM EUNG-WON</b>, <i>Orchids and Rocks</i>, early 20th century, ink on paper with silk brocade mounting, 204 x 91 cm. Copyright and courtesy Museum Associates / Los Angeles Coun

Los Angeles: The Space Between: The Modern in Korean Art

Portrait of <b>INCI EVINER</b>. Photos by Tiffany Luk for <i>ArtAsiaPacific</i>.

İncİ Evİner: Movements for the interstitial body

Installation view of *NATASHA TONTEY*'s _Garden Amidst the Flame_,
2022, single-channel video installation: 27 min, at Auto Italia,
London, 2022. Photo by Henry Mills. Courtesy the

Up Close: Natasha Tontey

Book Review: The Contest of the Fruits

Book Review: The Contest of the Fruits

Detail of <b>AHMET DOGU IPEK</b>'s <i>From faraway and always</i>, 2020-22, oil paint, linseed oil, and crayon on paper, 142 pieces at 76 x 56 cm each and six pieces at 76 x 108 cm

Up Close: Ahmet Doğu İpek