Issue

*SIMONE FATTAL*, _Ishtar_, 2004, glazed stoneware, 22 x 5.5 x 1.5 cm. Photo by Francois Doury. Courtesy the artist.

The Sketch: Simone Fattal

Daniel Lie: In Relation to Rot

Detail of <b>WONG PING</b>'s <i>Sorry for the late reply</i>, 2021, still
from single-channel video animation, color,
with sound: 15 min. Image courtesy the
artist and Kiang Maling

Editor’s Letter: Natural Collaborators

<i>Sorry for the late reply</i>, 2021, still from single-channel video animation: 15 min. Courtesy the artist; Kiang Malingue, Hong Kong; and Tanya Bonakdar Gallery, New York / Los

Wong Ping: Animating Absurdity

Installation view of <b>RENZ BALUYOT</b>'s <i>God Bless Our Trip IV</i>, 2023, folding bed, fiberglass mannequin, fabric, stainless steel rods, silkscreen on rust dye, and fresh sa

Holy Motors: Getting Around in Manila

Exterior view of the National Gallery of Australia (NGA) in Kamberri/Canberra, 2018. Copyright and courtesy NGA.

News: Aboriginal Show Postponed Amid Authorship Disputes

Photo of <b>TERRY SMITH</b> delivering keynote address “Renewing African Art and Discourse within the Postcolonial Constellation” at March Meeting 2023, at the Africa Hall, Sharjah

The Postcolonial Condition After Enwezor

Portrait of <b>GAYATRI CHAKRAVORTY SPIVAK</b>. Photo by Alice Attie. Courtesy Gayatri Chakravorty Spivak FBA.

One on One: Han Mengyun on Gayatri Chakravorty Spivak

<b>NICK SIMUNOVIC</b>

Whispering Gallery: Living the Dream

<b>NGO DINH BAO CHAU</b>, <i>Uniform - Wallpaper no. 20</i>, 2020, woodblock print, monoprint, stamping, stencil, acrylic, glitter, imitation gold leaf on cardboard, 60 x 80 cm. Co

134 Dispatch: Ho Chi Minh City

Photo of (from left to right) <b>PARK YANG-WOO</b>, president of Gwangju Biennale Foundation; artist <b>PARK SEO-BO</b>; and <b>PARK SEONG-HO</b>, chairman of GIZI Foundation, at t

134 News Roundup: Controversy, Public Domain, Career Moves

<b>ADAM LINDER</b>, <i>Choreographic Service No. 5: Dare to Keep Kids Off Naturalism</i>, 2017, photo documentation of the performance at Kunsthalle Basel, 2017. Copyright and cour

Previews: Shape Shifters

Installation view of <b>SIMRYN GILL</b>'s <i>Maria's Garden</i>, 2021, ink on paper, 240 x 48 cm each, at

Up Close: Simryn Gill

Installation view of <b>OUM JEONGSOON</b>'s <i>Elephant Without a Trunk</i>, 2022, iron sheet and wool tapestry, 300 x 274 x 307 cm, at the 14th Gwangju Biennale, 2023. Photo by Ch

Up Close: Oum Jeongsoon