Issue

Installation view of <b>MA DESHENG</b>'s <i>Sans titre I</i>, 2012, edition 3 out of 8, bronze, 175 x 127 x 78 cm, at Musee National d'Art Moderne, Centre Pompidou, Paris, 2022. Ph

Paris: Ma Desheng

Installation view of <b>LEE TSAI-CHIEN</b>'s <i>Finite to Infinite</i>, 1983, stainless steel, color coating, 5 x 5 x 10m, at

Taipei: The Wild Eighties

Archival image of an exhibition opening at the Hong Kong Arts Centre (HKAC), year unknown. Courtesy HKAC.

A Better Tomorrow for Art Museums in Hong Kong: Looking Back at the 1990s

Installation view of <b>OZGUR KAR</b>'s <i>DEATH </i>and<i> SNAKE CHARMER</i>, 2021, three-channel 4k videos, Samsung TVs, BrightSign media players, speakers: 20 min, on loop, at G

Active Spirits of Return

Illustration from the Rupertsberg manuscript of Scivias (c.1151/1152) by Hildegard of Bingen.

One On One: Sriwhana Spong on Hildegard of Bingen

Detail of <i>Mother of Pearl</i>, 2021, color print on satin, 76.2 x 127 cm. Photo by Daniel Vincent Hansen. Courtesy the artist and Empty Gallery, Hong Kong

Editor’s Letter: Forces for Change

<b>MING WONG</b>, <i>Number 4 from Pictures from the Wayang Spaceship</i>, 2022, digital print, 125x80 cm. Courtesy the artist and Ota Fine Arts Singapore / Shanghai / Tokyo.

Dispatch: Singapore

Portrait of <b>ASHLEY BICKERTON</b>. Courtesy the artist's estate and Gajah Gallery, Singapore / Jakarta / Yogyakarta.

Tribute: Ashley Bickerton

Portrait of <b>PAO HOUA HER</b>. Courtesy Bockley Gallery, Minneapolis.

News Roundup 132: Controversy, Career Moves, Public Domain

<b>NIKHIL CHOPRA</b>, <i>Remembering Being There (Wahan ki Yaad)</i>, 2021, still from video with sound: 16 min 30 sec. All images courtesy the artist and Galleria Continua, San Gi

Nikhil Chopra: Recomposing the Live

Portrait of <b>CLUB ATE</b> (Justin Talplacido Shoulder and Bhenji Ra). Photo by Joseph Pascual. All images courtesy the artists.

Club Ate: Mythologies of Movement

Installation view of <b>MALAEB</b>'s <i>Pilot 1.0</i>, 2022, video: 9 min 10 sec, at

Singapore Biennale 2022: Natasha

<b>SHINGO KANAGAWA</b>, <i>for a while</i>, 2011, inkjet print, 28.3 x 35.7 cm. Courtesy Mori Art Museum, Tokyo.

Tokyo: Roppongi Crossing 2022: Coming & Going

Photo of the Emergency Response Coordination Centre working closely with emergency teams from European Union member states and other nations, alongside Turkish authorities to rapid

Main News: Cultural Sector Rallies for Earthquake Relief