Issue

Render of Void Foyer for the redevelopment plan of Artspace Sydney at The Gunnery. Copyright and courtesy Dunn & Hillam Architects.

Looking Ahead: Newly Re-ordered

Exterior view of the new SANAA-designed building at the Sydney Modern Project, 2022. Courtesy Art Gallery of New South Wales.

Institutions: Growing Fits and Pains

Portrait of <b>CLARA KIM</b>. Courtesy Museum of Contemporary Art, Los Angeles.

Career Moves: Relocation Services

Portrait of <b>HOSSEIN VALAMANESH</b> with his work <i>After Rain</i> (2013) at the Art Gallery of South Australia (AGSA), Adelaide, 2019. Courtesy AGSA.

Obituaries: Leading Lights

Photo of climate activists sticking their hands onto the wall of London's National Gallery after splashing tomato soup at <b>VINCENT VAN GOGH</b>'s <i>Sunflowers</i> (1888-89) to p

News: What is a “Museum” For, Anyway?

Portrait of <b>ALI CHERRI</b>. All images copyright and courtesy the artist.

The Artists of 2022: Ali Cherri

*ELLEN PAU*, _The Shape of Light_, 2022, site-specific moving image installation: 13 min, 20 sec. Photo by Lok Cheng. Courtesy the artist and M+, Hong Kong. <br>

Editor’s Letter: Unseeing Leap

Installation view of <b>ANGELA MELITOPOULOS'</b>s <i>Matri Linear B - Surfacing Earth</i>, 2021, two-channel video and eight-channel sound installation: 75 min, at the 17th Istanbu

Istanbul: 17th Istanbul Biennial

Installation view of<b> MOSES TAN</b>'s <i>An immaculate end to a disembodied beginning</i>, 2021, polymer clay, found furniture, and acrylic, dimensions variable, at

Queering the Dot

Photo of <b>VICTORIA KOSASIE'</b>s <i>BASINS</i>, 2022, live performance, approximately 22 min, at Central Saint Martins, London, 2022. Courtesy Jordan Chan.

New Currents: Taking On Tradition

<b>CHRISTIAN BOLTANSKI</b>, <i>Lycee Chases</i>, 1987, five tin boxes, 15 photographs, 15 black lamps, electric wire, 297.2 x 266.7 x 30.5 cm. Photo by Alex Yudzon. Courtesy the Ch

One On One: Leung Chi Wo on Christian Boltanski

Installation view of <b>TALA MADANI</b>'s The New Landscape, 2022, oil on linen, 240 x 480 cm, at

Los Angeles: Tala Madani

<b>KEN LUM</b>, <i>I Lost My Job</i>, 2021, digital print on archival paper, 198 x 259 cm. Courtesy the artist and Royale Projects, Los Angeles.

Toronto: Ken Lum

Detailed view of <b>DO HO SUH</b>'s <i>Jet Lag</i>, 2022, polyester fabric and stainless steel, 331.8 x 1047.9 x 3 cm, at Lehmann Maupin, New York, 2022. Copyright the artist. Phot

New York: Do Ho Suh