Issue

Installation view of <b>PIO ABAD</b>'s<i> The Collection of Jane Ryan & William Saunders</i>, 2014, 40 giclee prints on semigloss paper, mounted on Dibond, dimensions variable, at

Manila: An Interview with Pio Abad

Installation view of <b>KARRABING FILM COLLECTIVE</b>'s <i>The Jealous One</i>, 2017, single-channel video with sound and color: 29 min 29 sec, at

Shanghai: Conflicting Cycles

<b>JOYCE HO</b>, <i>DOTS</i>, 2021, still from single-channel video: 1 hr 36 min. Courtesy the artist and the National Taiwan Museum of Fine Arts, Taichung.

Taipei: Rooting, Grounding, and Centering

Photo documentation of <b>DUMB TYPE</b>’s <i>Voyage</i>, 2002, performance: 68 min, in Toulouse, 2002. Photo by Kazuo Fukunaga. All images copyright the artists and courtesy The Ja

Tokyo: An Interview with Yoko Takatani of Dumb Type

Installation view of <b>ARCHIE MOORE</b>'s

Naarm/Melbourne: There and Back Again

City Reports: After the Aftermath

Portrait of <b>TAMMY NGUYEN</b>. Photo by Annie Ling.

One to Watch: Tammy Nguyen

Portrait of <b>JES FAN</b> . Photo by Jia Li.

The Artists of 2022: Jes Fan

Portrait of <b>MIRE LEE</b>. Photo by Christian Werner.

The Artists of 2022: Mire Lee

The Artists of 2022: Beyond Corporeal

<b>ANNA PARK</b>, <i>Is it Worth It?</i>, 2020, charcoal on paper, 132 x 107 cm. Courtesy Christie's Hong Kong.

Auction Report: Paradigm Shift

<b>HA CHONG-HYUN</b>, <i>Conjunction 17-301</i>, 2017, oil on hemp cloth, 291 x 218 cm. Photo by Sang Tae Kim. Courtesy the artist and Kukje Gallery, Seoul / Busan.

Art Fairs: Race for Recovery

The NFT reproduction of <b>KIM WHANKI</b>'s <i>05-IV-71 #200 (Universe)</i>, 2022, 2000 x 1994 pixels. Copyright and courtesy the Whanki Foundation / Whanki Museum.

Cultural Currency: Deep Freeze Cometh

Portrait of <b>DAYANITA SINGH</b>. Courtesy Hasselblad Foundation.

Awards: Serious Winners