Issue

*ALIZA NISENBAUM*, <i>In Search of Lost History</i>, 2022, oil on linen, 190.5 x 241.3cm. Photo by Thomas Barratt. Copyright the artist. Courtesy the artist and Anton Kern Gallery,

14th Gwangju Biennale: soft and weak like water

Photo of <b>TERRY SMITH</b> delivering keynote address “Renewing African Art and Discourse within the Postcolonial Constellation” at March Meeting 2023, at the Africa Hall, Sharjah

The Postcolonial Condition After Enwezor

Installation view of <b>RENZ BALUYOT</b>'s <i>God Bless Our Trip IV</i>, 2023, folding bed, fiberglass mannequin, fabric, stainless steel rods, silkscreen on rust dye, and fresh sa

Holy Motors: Getting Around in Manila

Detail of <b>WONG PING</b>'s <i>Sorry for the late reply</i>, 2021, still
from single-channel video animation, color,
with sound: 15 min. Image courtesy the
artist and Kiang Maling

Editor’s Letter: Natural Collaborators

Installation view of *REY CONCEPCION*'s <i>The Last Paper Pinwheel</i>, 2023, serigraphy on acrylic cast sheet paper, wooden pedestal, dimensions variable, at

Manila: Parched Earth, Ardent Spring

Portrait of <b>GAYATRI CHAKRAVORTY SPIVAK</b>. Photo by Alice Attie. Courtesy Gayatri Chakravorty Spivak FBA.

One on One: Han Mengyun on Gayatri Chakravorty Spivak

<b>WANG TUO</b>, <i>The Second Interrogation</i>, 2023, still from video installation in two parts: 24 min 30 sec (part one) and 29 min 26 sec (part two). Courtesy the artist and B

Hong Kong: Wang Tuo

Installation view of <b>VAEVAE CHAN</b>'s

Up Close: Vaevae Chan

Courtesy The Unit Project.<br>

Book Review: Unit: A Glimpse into Singapore’s 1970s-’80s Private Apartments

<b>LIU KUO-SUNG</b>,<i> Moon Walk</i>, 1969, ink and acrylic with collage on paper, 59 × 85 cm. Courtesy National Gallery Singapore.

Singapore: Liu Kuo-sung

Installation view of *JOHANNA PALMEYRO*'s

The Point: Let’s Bring Down the Fence and Re-Build Together

Installation view of <b>BROOK HSU</b>'s <i>Pale Green</i>, 2022, oil on hard maple, dimensions variable, at Sant'Andrea de Scaphis, Rome, 2022-23. All photos by by Alessandro Cicor

Up Close: Brook Hsu

Photo of <b>MARINA ABRAMOVIC</b>'s 736-hour-long performance, <i>The Artist Is Present</i>, 2010, at the Museum of Modern Art (MoMA), New York, 2010. Photo by Antonio Zugaldia. Ima

One on One: Kawita Vatanajyankur on Marina Abramović

<b>YAYOI KUSAMA</b>, <i>Pumpkin (L)</i>, 2014, bronze, 241 × 235 × 235 cm. Courtesy Sotheby's.

Auction Report: Season of Settling In