Issue

YIN XIUZHEN,

Berlin: Yin Xiuzhen

WALID RAAD, Plate: Beirut ’82, City V, 2005, from the series

Hamburg: Walid Raad

KHALED AL-SAAI, Landscape of Sharjah, 2004, Natural pigments, tempera, and gouache on paper, Courtesy Kunstmuseum Bonn.

Paris: Languages Of The Desert: Contemporary Arab Art From The Gulf States

AHMED MATER AL-ZIAD, X-ray, 2003, 105 x 135 cm, Courtesy the artist and British Museum.

London: Word Into Art: Artists Of The Modern Middle East

top: YANG FUDONG, Seven Intellectuals in a Bamboo Forest, Part I of V, 2003, 35 mm black-and-white film transferred to DVD, sound. Courtesy the artist, Marian Goodman Gallery, New

New York: Yang Fudong

JONATHAN MEESE & TAL R,

New York: Jonathan Meese & Tal R

JEAN SHIN in collaboration with The Fabric Workshop and Museum, Philadelphia. Detail of TEXTile, 2006, 22,528 recycled computer keycaps and 192 custom keycaps, high performance lam

Philadelphia: Jean Shin

FILM REVIEW: Syndromes and a Century

FILM REVIEW: Syndromes and a Century

Nine Lives: The Birth of Avant-Garde Art in New China, 2005. Published by Scalo Verlag AG, Zurich. Softcover, 449 pages, color images throughout. ISBN 3 03939 036 8.

BOOK REVIEW: Nine Lives: The Birth of Avant-Garde Art in New China

BEN QUILTY, Joe, 2006, oil and aerosol on canvas, 170 x 150 cm. Courtesy the artist and GRANTPIRRIE, Sydney.

Ben Quilty: Rising Son

Photographed By Hiroshi Sunairi For Art AsiaPacific.

Noh Sang Kyoon

To Be an Internationalist, You Have To Be a Nationalist

MITHU SEN, It's Good to Be Queen, 2006, installation view, mixed media. Courtesy Bose Pacia Gallery, New York.

Mithu Sen’s Stately Manners

*CHEN ZHEN*, _Field of Synergy_, 2000. Chinese bed, children's beds, plastic tubes, fabric, polystyrene balls, fan, light bulbs , 400 (h) x 1000 x 800 cm. Courtesy Galleria Continu

Beijing: Chen Zhen: Transexperiences