Issue

*LINDY LEE*, _Speculation_, 1990, oils and wax on canvas, 127.5 x 106 cm, private collection, Sydney. Photograph courtesy Roslyn Oxley9 Gallery.

Through a Glass Darkly: Lindy Lee interviewed by Ann Elias

From the Publisher

ELLEN PAU, Video vogue, 1992, video and fur, 400 x 370 x 180 cm, courtesy Hong Kong Museum of Art.

A Pact of Separate Peace: The Art Scene in Hong Kong, 1992

FUJIKO NAKAYA, Fog Sculpture/94/768/4.5/070/21/ / / /1013/16.3, November 12,1976, water vapour, pumps, pipes and other media, 300 x 6000 x 3000 cm, from the 1976 Biennale of Sydney

ART and AsiaPacific: An Australian Introduction

VASAN SITTHIKET, Sinners are sinful holy men who eat free rice, commit immoral deeds. They will hold the bowl, outer rope and body burning afloat indefinitely, 1991, acrylic on can

Behind Thai Smiles: Three Contemporary Thai Artists

TAUSUG PEOPLE, Sulu archipelago, Philippines, Kandit (detail) (waist-sash, ceremonial hanging), silk, dyes, tapestry weave, 357 x 36.5 cm.

Ethos, Bathos, Pathos

SHIGEO TOYA, Scatter, 1992, wood, ashes, wax, plaster, acrylic, 188 x 30 x 29 cm each (50 pieces), photograph Hiromu Narita, courtesy Satani Gallery.

Contemporary Japanese Art: Three Aspects

ZENG FANZHI, Meat Series II, 1992, oil on canvas, 180 x 150 cm, from the exhibition China's New Art, Post-1989.

Hong Kong Report: In search of an identity

Leading the Hemlaut mask around the South Australian Museum building on the way to the Pacific Gallery. Hemlaut mask of the Sulka people, East New Britain, brought from Guma villag

Conference Report: Pacific Arts Symposium

IMELDA CAJIPE-ENDAYA, Bintana ni Momoy (Momoy's Window), 1983, oil, sawali, bamboo, nipa, denim and other fabrics, lacquer, 122 x 188 cm, collection Ateneo Art Gallery, courtesy Ed

Internationality: Towards a New Internationalism

AFFANDI, The Militia Plan Their Tactics, 1946, oil on canvas, 130 x 151.5 cm.

The Modern Art of Indonesia

G. Sidharta Soegi