Issue

MITHU SEN, It's Good to Be Queen, 2006, installation view, mixed media. Courtesy Bose Pacia Gallery, New York.

Mithu Sen’s Stately Manners

*CHEN ZHEN*, _Field of Synergy_, 2000. Chinese bed, children's beds, plastic tubes, fabric, polystyrene balls, fan, light bulbs , 400 (h) x 1000 x 800 cm. Courtesy Galleria Continu

Beijing: Chen Zhen: Transexperiences

DINH Q. LÊ, The Character, 2002, C-print and linen tape, 33.25 x 68 inches. All images courtesy PPOW Gallery.

Dinh Q. Lê: Vietnam Memories

Lee Kang-So, From an Island-04009, 2004, Oil on canvas, 145 x 145 cm.

New York: Lee Kang-So

KIMSOOJA, Epitaph 2002, digital c-print. Performed at Greenlawn Cemetery, NYC, courtesy of Peter Blum Gallery, New York. Photo by Jason Schmidt.

Conditions of Anonymity: the Performance Art of Kimsooja

DINH Q. LÊ, Untitled #5, 1998. C-print and linen. Courtesy of P.P.O.W. Gallery, New York.

Weaving History: An interview with Dinh Q. Lê

*CHEN ZHEN*, _Invocation of Washing Fire_, 1999, timber frame, metal, sound, abacus beads, wooden chamber pots, red light globes, broken calculators, cash registers, computers and

Commentary: China: Chen Zhen

HUANG YONG PING, Bank of Sand, Sand of Bank, 2000, mixed-media installation, 620 x 480 x 370 cm, 2000 Shanghai Biennale, China

China: Huang Yong Ping

*CHEN ZHEN*, _Black Broom_, 2000. Mixed media installation, 300 x 50 cm. Courtesy Galleria Continua and the Shanghai Art Museum.

Shanghai: Chen Zhen

GANG ZHAO, The Chamber of Song, 1998, oil on canvas, 213.3 x 213.3 cm.

Gang Zhao

NILIMA SHEIKH, Songspace, 1995, installation view at the Johannesburg Biennale.

Songspace: The Art of Nilima Sheikh

Book Review: Oceanic Art

HUNG LIU, Judgement of Paris, 1992, oil on canvas with lacquered wood, 182.8 x 243.8 x 12 cm.

Yellow face, white gaze

AHN SUNG-KEUM, Buddha Sound, 1994, bronze, 21 cm high. Photograph Lee In Seon.

Korea Report: The Year of Art