Issue

Ai Weiwei and Fake Studio, Working Progress (Fountain of Light), 2007, Mixed-media light installation. Copyright the artists.

THE POINT: In Search Of The Real Thing

Robert Bernell and Huang Rui participate in performance piece To Drink Tea during

THE BIG PICTURE: Huang Rui

IM Pei Architect with Pei Partnership Architects, Suzhou Museum of Art (Completed 2006) View from garden. Suzhou, China. Courtesy the architects.

HOT SPOT: IM Pei’s Active Retirement

Mr. Photo by Miget.

Mr.

Terence Koh, 29 Seconds of Attraction, 2004, Inkjet photo on cotton paper, custom pink frame, each circle is hand painted with chocolate, 29 parts, each 8 x 10 in. Courtesy Peres P

Terence Koh

Araya Rasdjarmrearnsook,The Insane, 2006, Still from video installation. Courtesy 100 Tonson Gallery, Bangkok.

ONE ON ONE: Araya Rasdjarmrearnsook

Cai Guo-Qiang - Kuafu running after the Sun (1985-86) Oil and gunpowder on canvas, 180 x 125 cm. Courtesy Christie's Hong Kong.

Eric Chang

ROBERT STORR - Director of the 52nd International Art Exhibition. Photo by Giorgio Zucchiatti. Courtesy Fondazione La Biennale di Venezia.HOU HANRU - Director of the 10th Internati

Not Only Possible But Also Necessary: Art in the Present Tense

CALLUM MORTON, Study for Valhalla, 2007. Digital image.Courtesy the artist, Roslyn Oxley9 Gallery, Sydney, and Anna Schwartz Gallery, Melbourne.

Venice Biennale 52nd International Art Exhibition

Press conference, Kassel, 2006.© documenta und Museum Fridericianum Veranstaltungs-GmbH.

The Cook, The Curator, The Bike & The Festivals: Venice, Kassel, Münster

UNTITLED II, ca. 1958, Black-and-white photograph, 26.5 x 37 cm. Private Collection, New York. Courtesy Talwar Gallery, New York.

Nasreen Mohamedi: "What Geometry One Finds On The Beach"

STUDY OF PERSPECTIVE - TIANANMEN (1995-2003) Black-and-white photograph. Courtesy the artist.

Ai Weiwei: The Freedom Of Irreverence

Qiu Zhijie in Longjing Village, Hangzhou, 2007. Photo by Luluc Huang.

Hangzhou is all right

HOWARD ARKLEY, Family Home: Suburban Exterior, 1993, Synthetic polymer paint on canvas, 203 x 257 cm, Courtesy the estate of the artist and Kalli Rolfe Contemporary Art.

Melbourne: Howard Arkley