Issue

Production still of *EDWARD YANG*'s _That Day, on the Beach_, 1983. Courtesy Kaili Peng, Taiwan Film and Audiovisual Institute, Taipei.

Taipei: Edward Yang

*MATTHEW KRISHANU*, _Boy in a Tree_, 2023, oil and acrylic on canvas, 225 x 150 cm. Photo by Peter Mallet. Courtesy Jhaveri Contemporary.

Mumbai: Matthew Krishanu

Installation view of *EUNICE SANCHEZ*'s (front) _Daigdig_, 2023, cyanotype prints on paper, resin, glass, and wood, dimensions variable, (rear) Agpakada, 2023, four-channel video a

Manila: Eunice Sanchez

Installation view of *KADER ATTIA*'s and *MANDY EL-SAYEGH*'s

London: Kader Attia & Mandy El-Sayegh

*CHAN KA KIU*, _Hard Game Softcore Lv. 1_, 2023, digital print, LED light box 80 x 60 x 3.5 cm. Courtesy De Sarthe Gallery, Hong Kong.

New Currents: Divergent Dichotomies

*LINDA CHIU-HAN LAI*, _Tree of Life, Iteration 2023_, 2023, everyday objects, television antennas, mini screen and media player (seven sets), sensor system, two LED rods with runni

Hong Kong: signals . . . 瞬息

Installation view of *MAIKO JINUSHI*'s _Fashion and Death_, 2020, video with sound: 7 min, at Centre A, Vancouver, 2023. Courtesy the artist and Centre A.

Vancouver: Maiko Jinushi

Installation view of *CENGIZ CEKIL*'s _Things_, 1998, 144 constructions with burned Coca-Cola cans and iron bars, dimensions variable. Courtesy the artist's estate and Buro Sariged

Istanbul: Cengiz Çekil

*JOMPET KUSWIDANANTO*, _Love is a Many-Splendored Thing #7_, 2023, piano, glass, chandeliers, dimensions variable. Courtesy Kohesi Initiatives, Yogyakarta.

Yogyakarta: Jompet Kuswidananto

*DAIDO MORIYAMA*, _Untitled_, from Letter to St-Loup, 1990. Courtesy Daido Moriyama Photo Foundation and C/O Berlin.

Berlin: Daido Moriyama Retrospective

*KIM BEOM*, _Untitled (Intimate Suffering #5)_, 2008, acrylic on canvas, 491 x 348.5 cm. Photography by Lee Euirock and Choi Yohan. Courtesy the artist and Leeum Museum of Art, Seo

Editor’s Letter: Objectified Relations

Book Review: Aam Aastha: Indian Devotions

Book Review: Aam Aastha: Indian Devotions

Installation view of *YUKO MOHRI*'s _Decomposition_, 2022, speaker, wood pedestal, seasonal fruits, 60 x 60 cm, at the booth of Yutaka Kikutake Gallery during Frieze Seoul, 2023. P

Art Fair Report: Demand for More, or Less?

Installation view of *ANN SHELTON*'s _i am an old phenomenon_, 2022. Photo by Sam Hartnett. Courtesy the artist and Two Rooms, Auckland; Denny Gallery, New York and Bartley, and Co

Auckland: She could lie on her back and sink