Issue

Edited by Ai Weiwei and Britta EricksonPublished by Timezone 8 Limited, Beijing, 2007Softcover, 584 pages, Color and b&w, Illustrations throughout.ISBN-10 988-99609-8-2ISBN-13 978-

BOOK REVIEWS: The Richness of Life

Who Stole Our Bodies II? (2003) Installation, soap, size variable. Courtesy the artist.

Chu Yun: Lost Before the Object

Raqib Shaw

Raqib Shaw

Installation view of HUANG RUI's “Texts are the Legacy of Great Thought!” Courtesy Chinese Contemporary, New York.

New York: Huang Rui

NAOTO NAKAGAWA, Breaking Event performance, 1971, silver gelatin print, Photo by Tom Haar.

New York: Naoto Nakagawa

CHEN QIULIN, Ellisis’s Series No. 1, 2002, photograph, 57.86 x 86 cm, edition of 8; 82.9 x 122.2 cm, edition of 8, Courtesy the artist and Max Protetch Gallery, New York

New York: Chen Qiulin

PUSHPAMALA N., The Navrasa Suite, 2000, nine sepia-toned black and white photographs, each 50.8 x 66 cm, Photo by Toni Hafkenscheid, Courtesy Doris McCarthy Gallery.

Toronto: "Post Object"

Ai Weiwei, Template (2007), Julia Zimmermann, documenta GmbH, Photo by Julia Zimmermann

52nd Venice Biennale and documenta 12

Film stills from director Daniel Gordon’s film Crossing the Line. Copyright and courtesy VeryMuchSo Productions.

FILM REVIEW: Crossing the Line

Brought to Light II: Contemporary Australian Art 1966–2006, 2007, Edited by Lynne Seear and Julie Ewington, Published by Queensland Art Gallery, Brisbane, Softcover, 492 pages, ove

BOOK REVIEW: Brought to Light II

ARMEN ELOYAN, Untitled, 2006, oil on canvas, 120 x 100cm. Courtesy Parasol Unit, London, and Chadha Art Collection, Amsterdam

PROJECTS IN THE MAKING: Armen Eloyan

Horizontal Collaboration

SHI XINNING, At the Anonymous Mountain, 2006, oil on canvas, 179 x 359 cm. Courtesy Beijing east-8 Strategic Consulting Company.

STATE OF THE ART: The Case Of The Readymade Mountain

NEWS: Kolkata Plans Museum Of Modern Art