Issue

Photographed by Lois Conner for ArtAsiaPacific

Byron Kim

RESCUE, 1999-2002, gelatin silver print, 26 x 37.5 in. All images in this article are courtesy of Murray Guy Gallery, New York.

An-My Lê: Theater of Observation

Anish Kapoor. Photo by Ji-youn Lee.

Anish Kapoor: The Fiction of Auto-Generation

Stone of Hope, centerpiece of the DC Martin Luther King, Jr National Memorial, in Washington DC. Courtesy Martin Luther King, Jr. Memorial Foundation.

NEWS: Washington, D.C.

Illustration by ArtAsiaPacific.

THE POINT: China: A New Home for World Culture

Arne Glimcher with Giant No. 3 (2008), at Pace Wildenstein, New York. All images copyright Curtis Hamilton for ArtAsiaPacific.

BEHIND THE WALLS: Arne Glimcher: A Titan in the Middle Kingdom

Jérôme Sans. Photo by Quentin Shi. Courtesy Ullens Center for Contemporary Art, Beijing.

ONE ON ONE: Jérôme Sans: Open Doors, Open Arms

The artist AFFANDI, his wife and the Surabaja painter WIDAGO, at Affandi’s house in Padang Tegal, Bali, 1956. Photo by C. Holt; Collection Claire Holt Papers, Ithaca.

THE BIG PICTURE: Unity in Diversity: The Formation of Modern Indonesian Art

NUPAT ARJKAR, Untitled, 2007, digital photograph, 76 x 120 cm. Courtesy the artist.

HOT SPOT: Mekong Art & Culture Project: Bridging the Regional Divide

STUART RINGHOLT, Page 41, 2005, collage, 30 x 21 cm. Courtesy the artist and Anna Schwartz Gallery, Melbourne.

HOT SPOT: Biennale of Sydney 2008 Revolutions-Forms That Turn

Beijing Before the Olympics: Business As Usual?

HOMEBOUND, 2000, Kitchen utensils, furniture, electric wire, light bulbs, computerized dimmer unit, amplifier, speakers, dimensions variable. Installation view at Duveen Galleries,

Mona Hatoum: Domestic Insecurities

FALLEN STAR 1/5 SCALE, 2008, ABS, wood, ceramic, glass, honeycomb board, paint, LED lights, resin, styrene and PVC sheets, 131 x 145 x 120 in. Courtesy the artist and Lehmann Maupi

Do-Ho Suh: Infinite Points of Contact

A SEA OUTSIDE, 1997, photo still from single channel video installation, color, 30 min. Courtesy the artist and Galerie Marian Goodman, Paris.

Amar Kanwar: The Compass That Keeps Spinning