Issue

WALTER BENTLEY WOODBURY, Serimpies, or dancing girls of the Sultano, 1858, albumen silver photograph, 14.3 x 17.4 cm. Courtesy National Gallery of Australia, Canberra.

ARCHIVE: Old Pictures Afresh

Exterior view of Serpentine Gallery. Courtesy Serpentine Gallery, London.

PREVIEW: Indian Highway

Judith Nielson. Courtesy White Rabbit Gallery, Sydney.Penny Clive. Courtesy Detached Cultural Organisation, Hobart.

NEW MODERNS: Judith Neilson and Penny Clive

Courtesy Maria Kaldenhoven.

PERSONAL HISTORY: Maria Kaldenhoven

From left: Dinah Dysart; ArtAsiaPacific managing director Geoffrey King; and advertising manager Anne Sanders.

SPECIAL FEATURES: Working Drafts

Early correspondence with the editors of ArtAsiaPacific, this letter dated June 30, 1994 from the British-Pakistani artist Rashid Araeen.

SPECIAL FEATURES: First Footprint

Marked up digital proofs of an issue of ArtAsiaPacific.

SPECIAL FEATURES: Field Research

A sketch by ArtAsiaPacific deputy editor, Andrew Maerkle, trying to illustration his idea for this article to art director, Joon Mo Kang.

SPECIAL FEATURES: Redefinition

SPECIAL FEATURES: Photo Essay

SPECIAL FEATURES: Photo Essay

RAM RAHMAN, Husain Paints A Horse, Delhi, 1994.

SPECIAL FEATURES: A Journey Toward a New India

XING DANWEN, Liu Wei at his Songzhuang Studio, Beijing, 1995.

SPECIAL FEATURES: A Personal Diary

SPECIAL FEATURES: Landscapes

NAVIN RAWAINCHAIKUL, Who Needs a Museum?, 2008, Photograph. Courtesy Navin Productions.

SPECIAL FEATURES: Asian Contemporary Art Landscape

SPECIAL FEATURES: Ruminations on the Asia-Pacific Triennial

SPECIAL FEATURES: Ruminations on the Asia-Pacific Triennial