Issue

*MITHU SEN*, _How to be a SUCKcessful Artist_, 2019, still from single-channel video: 1 min. Courtesy the artist and the Australian Centre for Contemporary Art, Melbourne.

Melbourne: Mithu Sen

Installation view of *KISHIO SUGA*'s _Infinite Situation II (steps)_, 1970, performance and installation with sand and concrete at

Kyoto: Re: Startline 1963–1970/2023

*SONG HUAI-KUEI* with _Composition 2001_, 1969, a collaborative textile work with *MARYN VARBANOV*, at the 5th Lausanne International Tapestry Biennial, 1971. Photo by Marcel Imsan

Hong Kong: Madame Song: Pioneering Art and Fashion in China

*DONGHYUN SON*, _Travelers among mountains and streams_, 2023, ink, acrylic ink and rubbing ink on paper, mounted on wooden panel, 194 x 130 x 3 cm. Photo by Jongwan Jo. Courtesy t

Berlin: Dui Jip Ki

Installation view of *HAEGUE YANG*'s

Ghent: Haegue Yang

Installation view of *APINAN POSHYANANDA*'s _How to Explain Art to a Bangkok Cock_, 1985, remade 2019, acrylic on wood, five-channel video: duration variable. Photo by Joseph Nair.

Singapore: See Me, See You: Early Video Installation of Southeast Asia

*VIRIYA CHOTPANYAVISUT*, _Blooming in gaps_, 2021, gelatine silver print, dimensions variable. Courtesy Jim Thompson Art Center, Bangkok.

Bangkok: Nontawat Numbenchapol, Kridpuj Dhansandors, Rungruang Sittirerk, and Viriya Chotpanyavisut: Uncountable Time

*ANDRO WEKUA*, _That Portrait_, 2023, oil on canvas, 44 x 33 x 3cm. Photo by Timo Ohler. Courtesy Spruth Magers, London.

London: Andro Wekua: There

Book Review: Big Tail Elephant: Build and Resist

Book Review: Big Tail Elephant: Build and Resist

Book Review: Art in the After-Culture

Book Review: Art in the After-Culture

*LYNN GOLDSMITH*'s 1981 portrait of the musician Prince. Image as reprinted in United States Supreme Court publication of the decision in_Andy Warhol Foundation for the Visual Arts

Tangled Authorship

*ELVIS YIP KIN BON*, _Winners Never Quit_, 2019, original newspaper print, 32 x 25 cm. Courtesy the artist and WMA Space, Hong Kong.

Up Close: Elvis Yip Kin Bon

*MARYN VARBANOV*, _Bleu Mise en Rapport_, 1978, sisal, wool and silk thread, dimensions variable. Courtesy of BANK/MABSOCIETY and the artist.

Shanghai: The Threads of Destiny: Maryn Varbanov, Works from the 1970s, with Song Huai-Kuei

*KP BREHMER*, _o.T._, 1965, laminated cliche print on cardboard, 50.2 x 62.9 cm. Courtesy of the artist and Petzel, New York.

Inside Burger Collection: KP Brehmer: Screen Negatives