Issue

JOGEN CHOWDHURY, Day Dreaming, 1979, ink and pastel on paper, 152 x 182 cm. Courtesy Sotheby’s London.

AUCTION REPORT: Bounce Back

ART FAIR PREVIEW: Battening Down

ART FAIR PREVIEW: Battening Down

“No U-Turn” banners displayed outside the China Art Gallery, Beijing, for the “China/Avant-Garde” exhibition in 1989. Courtesy Xu Bing Studio, New York.

Shots Heard ’Round Beijing

Sticker by Iranian street artist A1one, on top of a poster of Iranian president Mahmoud Ahmadinejad, in the streets of Tehran, 2009. Courtesy the artist.

Vandal in the Tear Gas

MATERIAL FOR A FILM (PERFORMANCE), 2006, 1,000 blank books shot by the artist with a .22 caliber gun, shelving, 67 photographs, dimensions variable. Installation view at Guggenheim

Tribute to a Palestinian

JSG BOGGS’ life-size, satirical drawing of a USD 1,000 bill with a portrait of the late-19th century president Grover Cleveland. Issued by the fictive Bank of Bohemia, the bill, wh

Not For the Love of Money

SHILPA GUPTA, Untitled, 2008, photograph on flex, 300 x 120 in. Courtesy the artist and Galerie Yvon Lambert, Paris.

The Future Looks Feminine

Home of Our Youth—To Thee Will We Sing

Home of Our Youth—To Thee Will We Sing

Fereydoun Ave in Basel, Switzerland, for Art Basel in June 2009. Photo by ArtAsiaPacific.

Wrestling With History: Mystical and Masculine

Kent and Vicki Logan in front of their collection at the San Francisco Museum of Modern Art. Photo by Drew Altizer / Drew Altizer Photography, San Francisco. Courtesy Kent and Vick

Looking Behind The Smile

CHRISTO & JEANNE-CLAUDE, Wrapped Coast - One Million Square Feet, 1969, synthetic fiber wrapped around the shore of Little Bay, Sydney. Photo by Wolfgang Wolz. Courtesy Christo.

The Great Commissioner

Photo documentation of the atomic bombing of Hiroshima, Japan, on August 6, 1945. Courtesy Hiroshima Peace Memorial Museum, Hiroshima.

Taboos and Censorship in Japan Postwar Art: Mutually Assured Decorum

BE IN THE SAME BOAT, 2002, digital print, 240 x 410.9 cm.

Wu Tien-Chang: Facing the Unknowable Future

Yael Bartana at Union Square, New York, 2009. Photo by Peter Hoang for ArtAsiaPacific.

Yael Bartana: State of Metaphor