Issue

Houston: Utopia/Dystopia

San Francisco: Phantoms of Asia

HONG KONG ARTISTS/ 20 PORTRAITS, edited by Christoph Noe and Cordelia Noe, published by Verlag für moderne, Kunst Nürnberg, Nuremberg, 2012 Softcover with color illustrations, 224

BOOK REVIEW: Getting a Bird's-eye View

Qiu Anxiong

Qiu Anxiong

FINE PRINT: The Adversial Game Widens

ROCKS 4 (detail), 2007. Acrylic on canvas, 140 x 200 cm. All images in this article are courtesy the artist unless otherwise stated.

Ma Desheng: Eternal Spring

An intersection in Jhongjheng District, Taipei. Photo by Ann Woo for ArtAsiaPacific.

Dispatch: Taipei

How I Learned to Stop Worrying and Love Art

How I Learned to Stop Worrying and Love Art

YOUNG-HAE CHANG HEAVY INDUSTRIES, This Is not a Joke, 2010, silkscreen print, 120 x 80 cm. Courtesy the artists.

ONE ON ONE: Heman Chong on Young-Hae Chang Heavy Industries

Aerial view of Lahore. Photo by Sonya Reyman for ArtAsiaPacific.

DISPATCH: Lahore

Illustration by Kate Barnett.

THE POINT: No, But Seriously

KHALIL RABAH, Installation view of “The New Palestinian Museum of Natural History and Humankind,” at the National Museum of Contemporary Art (EMST), Athens, 2006. Copyright EMST. C

PREVIEWS: National Alternatives

YAO CHUNG-HAN, Scattered Coordinates 1, 2008–10, mirrors and flashing neon lights, installed at the Intercommunication Center, Tokyo, 2010. Courtesy the artist.PRATCHAYA PHINTHONG,

NEW CURRENTS: Yao Chung-han, Pratchaya Phinthong, Angki Purbandono

ERIK GÖNGRICH’s project titled “Picnic,” for “One Day in the Room,” in collaboration with ODA PROJESI, Galata, June 10, 2001. Copyright Peter Mörtenböck and Helge Mooshammer. Court

PERSPECTIVE: Biennials and Infrastructure Shift – Part I