Issue

Ho Chi Minh City: Phan Quang

CORINNE DE SAN JOSE, Fat Bottomed Vase, 2012, Archival inkjet print, 40.6 x 50.8 cm. Courtesy Silverlens, Manila/Singapore.

Singapore: STRIP 2013

RAKHI PESWANI, Verse Converse, 2012, Hand embroidery on khadi cotton, triptych, 50.8 x 50.8 cm each. Courtesy The Guild Art Gallery, Mumbai.

Mumbai: Rakhi Peswani

HOSSEIN VALAMANESH, Untitled (Kettle), 1994, Copper kettle, oil burner, 18 x 25 x 21.5 cm. Courtesy Grey Noise, Dubai.

Dubai: Hossein Valamanesh

EMRE HÜNER, Anthropophagy (detail), 2013, Installation on wooden bases with ceramics and metal elements, dimensions variable. Courtesy Rodeo, Istanbul.

Istanbul: Emre Hüner

APICHATPONG WEERASETHAKUL, Primitive (I’m Still Breathing), 2009, Production still. Copyright Kick the Machine Films and Illuminations Films. Photo by the artist. Courtesy Hangar B

Milan: Apichatpong Weerasethakul

YUE MINJUN, The Artist and His Friends, 1991, Oil on canvas, 187 x 198 cm. Private collection. Copyright the artist. Courtesy Fondation Cartier pour l’Art Contemporain, Paris.

Paris: Yue Minjun

HIRAKI SAWA, Lineament, 2012, Dual-channel HD video with audio. Copyright the artist. Courtesy James Cohan Gallery, New York / Shanghai.

New York: Hiraki Sawa

THE ART OF MODERN CHINA by Julia F. Andrews and Kuiyi Shen. Published by University of California Press, Berkeley, 2012. Softcover with color illustrations, 384 pages.

BOOK REVIEW: First Among Equal?

Ashley Bickerton at his studio in Bali.

Ashley Bickerton

FINE PRINT: How (droit de) suite is it?

EL FIN DEL MUNDO, 2012, still from HD film: 13 min 35 sec. All images in this article are courtesy the artists.

Moon Kyungwon and Jeon Joonho

REMEMBERING MAD MEG (detail), 2007–11, three projections, seven Lexan plastic cylinders, painted steel frames, light, motors, sound, dimensions variable. Photo by Payal Kapadia. Co

Nalini Malani: In the Heart of Darkness

Beirut: Rayyane Tabet: The Shortest Distance Between Two Points