Issue

Installation view of ERDEM TAŞDELEN’s Worrier, 2012, at Arter, Istanbul, 2013. Photo by Murat Germen. Courtesy Arter, Istanbul.

Istanbul: Envy, Enmity, Embarrassment

London: Light from the Middle East – New Photography

Chicago: The Sahmat Collective

SLAVS AND TATARS, Installation view of “Friendship of Nations: Polish Shi’ite Showbiz” at REDCAT, Los Angeles, 2013. Photo by Scott Groller. Courtesy the artists and REDCAT, Los An

Los Angeles: Slavs and Tatars

HUNG LIU, Jui Jin Shan (Old Gold Mountain), 1994, 200,000 fortune cookies with train rail, ties, tie plates. Photo by Phil Bond Photography. Courtesy the artist..

Oakland: Hung Liu

BOOK REVIEW: Committing Sinology

Ai Weiwei adopting a stoic pose while resting in the sun at the Left/Right studio, located on the outskirts of Beijing. Photos by Christopher Doyle for ArtAsiaPacific. Courtesy Ai

Where I Work: Ai Weiwei

Yayoi Kusama in her Tokyo studio in April, working on a painting from the series “My Eternal Soul.” Photos by Yuriko Nakao for ArtAsiaPacific.

Where I Work: Yayoi Kusama

FINE PRINT: Art Funds – The Newest Art Market Participant

Aerial view of Singapore. Photo by Heman Chong for ArtAsiaPacific.

Dispatch: Singapore

*KIMSOOJA*, _To Breathe - A Mirror Woman_, 2006, mixed media, installed at Palacio de Cristal, Madrid, 2006-08. Photo by Jaeho Chong. Courtesy Museo Nacional Centro de Arte Reina S

Kimsooja: A Pavilion Transformed

JAFFA LAM, Hanging Moon, 2012–13, Graphite on recycled crate wood, diameter: 1530 cm. Courtesy the artist.

Hong Kong: Jaffa Lam

The Memory of a Particular Image

MAI YAMASHITA and NAOTO KOBAYASHI, When I Wish Upon a Star, 2004–06, video installation, 2 min. Courtesy Takuro Someya Contemporary Art, Tokyo.

ONE ON ONE: Song-Ming Ang on Yamashita and Kobayashi