Issue

ALFREDO and ISABEL AQUILIZAN, Lade: Project: Another Country, 2013. Mixed media, installed in “Fragments: Another Country” at Queensland University of Technology, Art Museum, Brisb

Brisbane: Alfredo & Isabel Aquilizan

Installation view of “Roppongi Crossing 2013: Out of Doubt” at Mori Art Museum, Tokyo, 2013. Photo by Osamu Watanabe. Courtesy Mori Art Museum, Tokyo.

Tokyo: Roppongi Crossing 2013: Out of Doubt

VICTOR VOROBYEV and YELENA VOROBYEVA, Photo for Memory. If a Mountain Doesn’t Go to Mahomet . . . #1, 2002. C-print, 60 x 90 cm. Courtesy the artist.

Taiwan: No-Mad-Ness in No Man's Land

Li Wei, I’m Calm, 2011. Mixed media, dimensions variable. Courtesy the artist.

Shanghai: Hugo Boss Asia Art

VIVIAN HO, Gutted, 2013. Oil on canvas, 120 x 210 cm. Courtesy the artist and Rossi & Rossi, Hong Kong.

Hong Kong: These Shores

MONTIEN BOONMA, Sketch for “A Pleasure of Being + Crying + Dying + Eating (Project B)

Bangkok: Montien Boonma

Helene Kazan, A Domestic Image of Preemption, 2013. Video still from stop-frame animation, multimedia installation. Courtesy the artist and Beirut Art Center, Beirut.

Beirut: Exposure 2013

YAN PEI-MING, Portrait of Isabelle Huppert IV, 2013. Oil on canvas, 80 x 80 cm. Photo by André Morin. Copyright the artist. Courtesy the artist and Galerie Thaddaeus Ropac, Paris/S

Paris: Yan Pei-Ming

London: Liu Xiaodong

SIAH ARMAJANI, Shirt #2, 1960. Ink, paint, gesso on canvas, 85 x 82 cm. Photo by Stephen White. Courtesy the artist and Parasol Unit, London.

London: Siah Armajani

YAYOI KUSAMA, Infinity Mirrored Room – The Souls of Millions of Light Years Away, 2013. Wood, metal, glass mirrors, plastic, acrylic panel, rubber, LED lighting system, and acrylic

New York: Yayoi Kusama

RAQIB SHAW, St. Sebastian of the Poppies, 2011–12. Oil, acrylic, enamel, glitter and rhinestones on birch wood, diameter: 152.4 cm. Copyright the artist. Courtesy Pace Gallery, New

New York: Raqib Shaw

AHMED ALSOUDANI, Untitled, 2011. Charcoal and acrylic on canvas, 251.5 x 186.7 cm. Photo by Haunch of Venison. Courtesy Portland Museum of Art, Portland.

Portland: Ahmed Alsoudani

(Left) CONTEMPORARY KOREAN ART: TANSAEKHWA AND THE URGENCY OF METHOD,By Joan Kee. Published by University of Minnesota Press, Minneapolis, 2013. Softcover with full color illustrat

BOOK REVIEWS: Questing for Identity