Issue

William Lim

Portrait of PATRICK CORRIGAN in his apartment in Sydney. Photo by Michael Young for ArtAsiaPacific.SALLY GABORI, Dibirdibi Country (detail), 2012, acrylic on linen, 150 x 150 cm. C

Patrick Corrigan

Portrait of FEROZE GUJRAL. Photo by Parav Sahni. Courtesy Feroze Gujral.SATISH GUJRAL, Self Portrait (detail), 1956, oil on board, 122 x 60 cm. Courtesy Feroze Gujral.

Feroze Gujral

Portrait of LEO SHIH in his private gallery. Photo by Ann Woo for ArtAsiaPacific.DING YANYONG, Butterflies, Fish and Flowers (detail), 1972, oil on canvas, 77 x 51 cm. Courtesy Leo

Leo Shih

Portrait of ADRIAN JONES in the underground tunnels of Cu Chi, Vietnam. Photo by Stephan Memmen. Courtesy Adrian Jones.XU MAN, Untitled (detail), 1960, lacquer on board, 73.5 x 44.

Adrian Jones

LES PEINTRES CELEBRES 1 (detail), 1948–49, gouache on paper, 25 x 36 cm. Copyright Saloua Raouda Choucair Foundation, Beirut. Courtesy Agial Art Gallery, Beirut.

Saloua Raouda Choucair: Memory, Corrected

UNTITLED (detail), 1981, oil on canvas, 132 x 188 cm. Photo by Leung Chi Wo. Courtesy the artist.

Josh Hon: Structure and Illusion

HEBA ABED, The Fake Nap, 2014, photomontage on cotton paper, 55 x 45 cm. Courtesy the artist. SARAH ABU ABDALLAH, Salad Zone, 2013, still from video: 21 min. Courtesy the artist an

Hybrid Voices: The Rising Generation of Saudi Artists

Works by HUANG HUACHENG, from “Ecole de Great Taipei Autumn Exhibition,” Hai Tian Gallery, Taipei, 1966. Photo by and courtesy Chuang Ling.

So, We Performed: Theatre and the Taiwanese Avant-Garde, 1965

KARA WALKER, The Long Hot Black Road to Freedom, a Double Dixie Two-Step 2005–08 (detail), 2005–08. Installation, paper, and adhesive on wall and paint on wall, c. 457.2 x 4572 cm.

INSIDE BURGER COLLECTION: Vain Hopes of Closure

Installation view of “Ink Art: Past as Present in Contemporary China,” at the Metropolitan Museum of Art, New York, 2013–14. Back: QIU ZHIJIE’s triptych 30 Letters to Qiu Jiawa (

New York: Ink Art

KYUCHUL AHN, The One and Only Table, 2013, 12 tables and books, dimensions variable. Installed in “Drawn to the Rainbow” at Gallery Skape, Seoul, 2013. Copyright the artist. Courte

Seoul: Kyuchul Ahn

BHARTI KHER, The Skin Speaks a Language Not Its Own, 2006. Fiberglass and bindis, 142 x 456 x 195 cm. Photo by Katherine Tong for ArtAsiaPacific.

Shanghai: Bharti Kher

LEE KIT Something You Can’t Leave Behind, 2017Acrylic, emulsion paint, inkjet ink and pencil on plywood, 66 × 57 cm.Photo by Winnier Yeung. Courtesy the artist and Massimo De Carlo

Hong Kong: Lee Kit