Issue

The Shifting Sands of the Louvre Abu Dhabi

The Shifting Sands of the Louvre Abu Dhabi

Illustration by Ping Zhu

THE POINT: After an Education in Art, What Next?

WHISPERING GALLERY: Caught in the Net

WHISPERING GALLERY: Caught in the Net

VASUDEO S. GAITONDE, Untitled, 1971, Oil on canvas, 114.3 x 75.9 cm. Courtesy Christie’s Images Ltd., 2014.

AUCTION PREVIEW: Strength in Numbers

Exterior view of the Messeplatz in Basel, Switzerland, the venue for Art Basel 2014. Photo by HG Masters for ArtAsiaPacific.

ART FAIR REPORT: Global Lusts, Regional Dreams

KOUTAKU YOSHINAGA, Kyushoku Bancho, 2007, acrylic gouache on paper, 27.7 x 44 cm. Courtesy Fukuoka Asian Art Museum, Fukuoka City

PREVIEWS: System Overload

BURÇAK BINGÖL, Cruise, 2014, ceramics, 200 x 190 x 30 cm. Courtesy Galeri Zilberman, Istanbul.

NEW CURRENTS: Delicate Visions

XU BING, Book from the Sky, 1987–91, handprinted books, ceiling and wall scrolls, printed from wood letterpress type using fake Chinese characters, one hanging scroll: approx. 96.5

Journey to the West

Billboard erected in Melbourne to advertise Stewart MacFarlane’s exhibition at Australian Galleries as a new approach to gain visibility. Photo by Michael Young for ArtAsiaPacific.

Where Next for Australia's Galleries?

DANIELA ORTIZ and XOSE QUIROGA, CC-13, 2013, still from video recorded during Via Catalana celebration on the national day of Catalonia, video: 20 min, 14 sec. Courtesy the artists

Constructing Decolonial Subjects

Portrait of Sophia al-Maria. Photo by Peter Webber. Courtesy the artist.

Sophia al-Maria: The Making of...

Portrait of Hossein Valamanesh. Photo by M. Kluvanek. Courtesy the artist, Greenaway Art Gallery, Adelaide; Rose Issa Projects, London; Grey Noise, Dubai, and Karen Woodbury, Melbo

Hossein Valamanesh: A Life In-Between

Portrait of Cathy and Andrew Cameron in their Sydney home. Photo by Michael Young for ArtAsiaPacific.

Andrew and Cathy Cameron: A Live-in Collection

Portrait of Chen Zhou. Courtesy the artist and Aike-Dellarco, Shanghai.

Chen Zhou: The Post-Happy Artist