Issue

TO DEFEND THE CORE VALUES IS THE CORE OF THE CORE VALUES(detail), incollaboration with Wong Wai Yin, 2012, participatory and performative project with installation including gold c

Quite Playful, Quite Boring: Kwan Sheung Chi

TITUS KAPHAR, Making Space, performance for “Re-Interpreting the European Collection” at Bermuda National Gallery, Hamilton, 2011, with (right) the artist cutting into his painting

INSIDE BURGER COLLECTION: Shades of Time

Installation view of “No Country: Contemporary Art for South and Southeast Asia” at Centre for Contemporary Art, Singapore, 2014. Front: SOPHEAP PICH, Morning Glory, 2011, rattan,

Singapore: No Country

SEUNG YUL OH, Oddooki, 2008,Installation view of “MOAMOA, A Decade” at City Gallery Wellington, Wellington, 2014. Photo by Shaun Waugh. Courtesy City Gallery Wellington.

Wellington: Seung Yul Oh

TABAIMO, Japanese Commuter Train, 2001, Video installation: 8 min 3 sec. Photo by Michael Young for ArtAsiaPacific.

Sydney: Tabaimo

ALI CHERRI, Pipe Dreams, 2011, Still from video installation; video: 5 min. Courtesy the artist and Galerie Imane Farès, Paris.

Gwangju: Songs of Loss and Songs of Love

LI YUAN-CHIA, Untitled , 1993, Black-and-white print, handcolored with various inks, 24.5 x 20 cm. Courtesy Taipei Fine Arts Museum, Taipei.

Taipei: Li Yuan-chia

ANDREAS MAYER-BRENNENSTUHL, De-growth Now (detail), 2014, Mixed-media installation, dimensions variable. Courtesy the artist and Rockbund Art Museum, Shanghai.

Shanghai: Advance Through Retreat

PAN YULIANG, Seated Nude, 1953, Oil on canvas, 33 x 46.4 cm. Collection of Musée Cernuschi, Paris. Copyright Roger-Viollet and Musée Cernuschi. Courtesy Hong Kong Museum of Art, Ho

Paris: Chinese Paintings - Legacy of the 20th Century Chinese Masters

PHI PHI OANH, Installation view of lacquer skins projected onto gallery walls and mounted silk screens for “Palimpsest” at Fost Gallery, Singapore, 2014. Dimensions variable. Court

Singapore Phi Phi Oanh

FÜSUN ONUR, Third Dimension in Painting / Come In (detail), 1981/2014, Installation with wood, painted thread, foam rubber, fabric and spangle, 275 x 300 x 210 cm. Photo by Murat G

Istanbul: Füsun Onur

NADIM ABBAS, Holy Mt IV, 2014, Tetra Brik cartons, dimensions variable. Photo by Cassander Eeftinck Schattenkerk. Courtesy Witte de With Center for Contemporary Art, Rotterdam.

Rotterdam: The Part in the Story Where a Part Becomes a Part of Something Else

YEE I-LANN, Empires of Privateers and Their Glorious Ventures, 2010, Digital print with batik on silk, 132 x 400 cm. Photo by Matthew Booth. Courtesy the artist.

London: A Special Arrow Was Shot in the Neck...

MASAHARU SATO, Calling, 2014, Still from HD Blu-ray disc and projection: 10 min 30 sec. Courtesy the artist, Imura Art Gallery, Kyoto/Tokyo, and Friedman Benda, New York.

New York: Duality of Existence Post Fukushima