Issue

PARAVENT / SOCIAL FABRIC #1, 2012, collage of carpet pieces, 250 x 552 x 4 cm. Photo by Trevor Good. All photos courtesy the artist and Wentrup, Berlin, unless otherwise stated.

Nevin Aladağ: Scene from the Street

TOMIE OHTAKE, Untitled, 1979, oil on canvas, 100.8 x 100.8 x 4 cm. Courtesy Instituto Tomie Ohtake, São Paulo, and Galeria Nara Roesler, São Paulo/Rio de Janeiro.

Japanese-Brazilian Modernists: Nipo-Tropicália

Installation view of “Transfigurations: The Sculpture of Mrinalini Mukherjee” at the National Gallery of Modern Art, New Delhi. Courtesy Nature Morte, New Delhi.

New Delhi: National Gallery of Modern Art

HITO STEYERL, How Not to Be Seen: A Fucking Didactic Educational .MOV File, 2013, Still from HD video: 14 min. Copyright the artist. Courtesy Wilfried Lentz, Rotterdam.

Brisbane: Hito Steyerl

HAEGUE YANG, Cittadella, 2011, Aluminum Venetian blinds, aluminum hanging structure, powder coating, steel wire, moving spotlights and scent emitters (Campfire, Mountain Mist, Oudh

Seoul: Haegue Yang

CHEN SHUN-CHU, “Assembly: Family Parade”, 1992–99, Photo and metal photo frames, 700 pieces: 29.3 x 24.2 cm each. Collection of Hanart TZ Gallery. Courtesy Taipei Fine Arts Museum.

Taipei: Chen Shun-chu

Installation view of MARK BRADFORD’s Mithra, 2008, mixed media, 726.4 × 1,963.4 × 635 cm, at “Los Angeles,” Long Museum, Shanghai, 2019. Photo by JJYPHOTO. Copyright the artist. Co

Shanghai: Mark Bradford

KACEY WONG, The Real Culture Bureau Tank, 2012, Cardboard, wood, speaker and push cart, 200 x 470 x 200 cm. Installation view of “Art of Protest: Resisting Against Absurdity” at AJ

Hong Kong: Kacey Wong

WINNER JUMALON, Hallazgo Reciente (Recent Find) I, 2014, Epoxy resin, 56 x 30.5 x 30.5 cm. Courtesy Yavuz Gallery, Singapore.

Singapore: Winner Jumalon

DING YI, Flying Stone, 2013, Metal frame and fake fur cloth, ?42 pieces, dimensions variable. Installation view of “Ivory Black” at ShanghArt, Singapore, 2015. Courtesy ShanghArt,

Singapore: Ding Yi

CINTHIA MARCELLE, At the Risk of the Real, 2015, Wooden beams, sieves, sand, tools and regular activation, 22.5 x 17.7 x 3.2 m. Installation view at Sharjah Biennial 12, 2015. Cour

Sharjah Biennial 12

SEMIHA BERKSOY, Mom and I, 1974, Oil on masonite, 100 x 70 cm. Courtesy Galerist, Istanbul.

Istanbul: Semiha Berksoy: Wall of Hallucination

MOUNIRA AL-SOLH, Now Eat My Script, 2014, Still of HD video: 24 min 50 sec. Courtesy the artist and Sfeir-Semler Gallery, Beirut/Hamburg.

Berlin: Mounira al-Solh

DANH VO, Your Mother Sucks Cocks in Hell, 2015, Marble fragment of a child, Roman workshop, 1st–2nd century AD; oak and polychrome Madonna and child, French Early Gothic; plywood,

London: Danh Vo