Issue

LIU WEI, Period, 2018, mixed-media installation, dimensions variable. Installation view of “Liu Wei: Shadows” at Long March Space, Beijing, 2018.Photo by Yang Chao Photography Stud

Beijing: Liu Wei

SHEELA GOWDA, Either Way, 2015, Wool, human hair and wood, dimensions variable. Courtesy the artist and Para Site, Hong Kong.

Hong Kong: Sheela Gowda

Macau: Art of Ink – Mio Pang Fei Calligraphy Exhibition

Singapore: The Collective Young: From South East Asia

SUSANTA MANDAL, Hard Copy I, 2014–15, Steel structure, lenses, LEDs, transparencies, 0.5 rpm motor and timer, dimensions variable. Courtesy Vadehra Art Gallery, New Delhi.

New Delhi: Susanta Mandal

HASSAN SHARIF, Dictionary, 2015, Glue, dictionary pages and cotton rope, 380 x 190 x 80 cm. Courtesy Gallery Isabelle van den Eynde, Dubai.

Dubai: Hassan Sharif

NOBORU TAKAYAMA, Underground Zoo, 1968/2015, Tar and wood, 18 wooden beams: 250 x 21 x 13.5 cm each. Courtesy Fondazione Mudima, Milan.

Milan: Mono-Ha

EASON TSANG KA WAI, New Landmark No. 1, 2014, Digital inkjet print, 73.5 x 81.3 cm.Copyright the artist. Courtesy the artist and Blindspot Gallery, Hong Kong.

Essen: Works in Progress: Photography from China

TALA WORRELL, Lookers, 2015, Oil on canvas and paint cans, dimensions variable. Installation view of “I Spy With My Little Eye” at The Mosaic Rooms, London, 2015. Photo by Andy St

London: I Spy With My Little Eye: A New Generation of Beirut Artists

ANICKA YI, Installation view of “6,070,430K of Digital Spit” at MIT List Visual Arts Center, Cambridge, 2015. Photo by Peter Harris Studio. Courtesy MIT List Visual Arts Center.

Cambridge: Anicka Yi

ON KAWARA, JUN 10 1974, 1974, From series “I Got Up,” 1968–79, Stamped ink on postcard, 8.9 x 4 cm. Collection of Keiji and Sawako Usami. Courtesy Solomon R. Guggenheim Museum, New

New York: On Kawara

HE XIANGYU, Death of Marat, 2011, Fiberglass, silicone, fabric, human hair and leather, 33 x 205 x 85 cm. Installation view of “28 Chinese” at Asian Art Museum, San Francisco, 2015

San Francisco: 28 Chinese

(Left) NALINI MALANI: YOU CAN’T KEEP ACID IN A PAPER BAG, 1969–2014. Published by Kiran Nadar Museum of Art, New Delhi, 2015. Hardcover with color illustrations, 302 pages. (Right)

BOOK REVIEWS: Clash of the Titans

Xu Bing at his main studio in Beijing, China.

Xu Bing