Issue

PLAYING WITH SLIPPERY LUBRICANTS by Apinan Poshyananda, Selected Writings, 1993–2004. Published by Office of Contemporary Art and Culture, Ministry of Culture, Bangkok, 2010. Softc

BOOK REVIEWS: Disruptor with a Smile

Kwok Mang-ho, or Frog King, in his studio in Hong Kong, wearing his Life Body Installation (2014), which combines fishermen, agrarian and Taoist traditions. The cape is crafted fro

Frog King Kwok Mang-ho

THE SKETCH: Tomoo Gokita

THE SKETCH: Tomoo Gokita

*KISHIO SUGA*, _Continuous Existence – M_, 2015, Wood, rope and stone, dimensions variable. Photo by Keizo Kioku. Courtesy Museum of Contemporary Art Tokyo.

Tokyo: Kishio Suga, “Situated Latency”

Dial M for Madness

Dial M for Madness

HO SIN TUNG, Zhong Ling Ling, 2013, color pencil on paper, 54 x 40 cm.Courtesy the artist.

ONE ON ONE: Ho Sin Tung on Zhong Ling Ling

Aerial view of Yogyakarta. Photo by Iryna Rasko.

DISPATCH: Yogyakarta

Illustration by Yasmine Gateau.

THE POINT: Dslcollection

The promotional poster of the first exhibition,

Beyond Space: A History of Hong Kong's Artist Networks

Illustrations by Riccardo Fano.

Capital of Un-Commerce

Portrait of Wiyu Wahono. Photo by Indra Geonardi. Courtesy Wiyu Wahono.

Wiyu Wahono

Portrait of Füsun Eczacıbaşı. Photo by Stella Schwendner.Courtesy Füsun Eczacıbaşı.

Füsun Eczacıbaşı

Alan Lau in his space in Wong Chuk Hang, Hong Kong, with thework Play-20121109 (2012) by XU ZHEN (MadeIn Company) hangingabove. Photo by Billy Kung for ArtAsiaPacific.

Alan Lau

Ethan Wagner and Thea Westreich Wagner with Lot 20. TwoKennedy Administration Cabinet Room Chairs (2013) by DANH VO.Photo by Peter Hoang for ArtAsiaPacific.

Thea Westreich Wagner and Ethan Wagner