Issue

MATHEUS ROCHA PITTA, Stone Soup, 2012, carved stone and handwritten text, 50 x 60 cm. Courtesy Green Art Gallery, Dubai.

Dubai: 1497

San Gimignano: Qiu Zhijie

Mohammed Ahmed Ibrahim at the gate of his Khor Fakkan home.

Mohammed Ahmed Ibrahim

FINE PRINT: Mural Support

Untitled (Lollobrigida), 2016, ink on paper, 29.7 x 42 cm. Courtesy the artist.

Pio Abad

(Left) ART AFTER WAR: 1948–1969 By Patrick D. Flores. Published by The Modern Reader, Pasig City, 2015. Hardcover with full color illustrations, 252 pages. (Right) ROBERTO CHABET E

BOOK REVIEW: In Pursuit of Modernism

AU HOI LAM, Memorandum (To Love Someone Once Again), 2014, pencil, color pencil, acrylic and linen, 122 × 153 × 5 cm. Courtesy the artist.

By Any Other Name

GORDON HOOKEY, Terrarists Colonialhism, 2008, oil on linen, 350 x 290 cm. Photo by Carl Warner. Courtesy the artist and Milani Gallery, Brisbane.

ONE ON ONE: Richard Bell on Gordon Hookey

Aerial view of Shanghai's Pudong district, east of the Huangpu River. Photo by Paul Reiffer.

DISPATCH: Shanghai

Illustration by Barlo.

THE POINT: Remote Connections

Installation view of SLAVS & TATARS’s Qit Qat Qlub, 2012, at “Preis der Nationalgalerie 2015” at Hamburger Bahnhof, Berlin. Photo by David von Becker. Courtesy the artists.

Dschihadi Dschermans

Portrait of George Wong. Courtesy Billy Kung for ArtAsiaPacific.

George Wong

Portrait of Tun Daim Zainuddin. Courtesy Tun Daim Zainuddin.

Tun Daim Zainuddin

Portrait of Konfir Kabo. Courtesy Konfir Kabo.

Konfir Kabo