Issue

DO-HO SUH, Who Am We?, 1996-2000 (detail), wallpaper, dimensions variable.

49th Venice Biennale

Bombay/Mumbai 1992-2001 (top), installation view. Photograph Marcus Leith.

Century City

YUTAKA SONE, Her 19th Foot, 1993, nineteen connected bicycles and video, 90 x 40 x 100 cm, courtesy Contemporary Art Center, Art Tower Mito, Japan.

Public Offerings

AH XIAN, China, China: Bust 34,1999, porcelain painted in overglaze iron-red with applied 'antique objects' design, collection of the artist

Ah Xian

TRACEY MOFFAT, Something More, No. 3, 1989 (detail), photograph, series of 9 images, edition of 30, 90 x 150 cm, courtesy the artist and California Museum of Photography, Riverside

Tracey Moffatt

LI ONESTO, Women Militia Fighters in the People's War in Nepal, Rolpa District, 1999, colour photograph, 91.5 x 61 cm, courtesy the artist.

medium(s)

The members of Ip-gim.

Confucian Feminists

ATUL DODIYA, Dadagiri, 1998, oil, acrylic and marble dust on canvas, 176 x 176 cm, RPG Collection, Mumbai

Atul Dodiya

TEHCHING HSIEH, Statement for Thirteen-Year Plan, December 31, 1986 - December 31, 1999.

Statutory Obligations

IMRAN QURESHI, Self Portrait (detail), 2009, gouache and gold leaf on wasli paper, 27 x 34.5 cm. Courtesy the artist.

Imran Qureshi

YU YOUHAN, Classmates, 2001, acrylic on linen, 183 x 227.5 cm. Photograph lan Hobbs.

Shanghai Star

TATSUO MIYAJIMA, Floating Time, 1999-2000, installation with video projection, courtesy Fuji Television Gallery, Japan. © The artist.

Facts of Life

WENDA GU, Buddhist Banquet, 1985, ink on rice paper mounted with white silk border, 197 x 518 cm, National Academy of Art, Hangzhou, China. Courtesy the artist and Sherman Gallerie

Wenda Gu

ZHANG PEILI, Expand Constantly, 2000, video installation.

Living in Time