Issue

SHIN MYEONG-EUN, Pooooodle, 1997, installation, SCAI the Bathhouse, Tokyo, with the assistance of CPC Nicker Color Company. Photograph Koichi Hayakawa.

Identity Complex: Shin Myeong-eun

MIYAJIMA TATSUO, It of the Future, 1986, installation, scrap, machines, television monitor, video, lights, light-emitting diodes, (LEDs) integrated circuits, 700 x 350 x 200 cm, co

Life without Zero: Miyajima Tatsuo

SUZANN VICTOR, Third World Extra Virgin Dreams, 1997, metal bedframe, glass, blood and magnifying discs.

Disembodied Aesthetic: Suzann Victor

REKHA RODWITTIYA, At the Threshold, 1997, acrylic and oil on canvas, 183 x 122 cm. Photograph Himanshu Pahad.

Daily Rituals

SULAIMAN ESA, Garden of Mystery I, 1992, mixed media, 185 x 180 cm, collection the Queensland Art Gallery.

Sacred Pictures: Spirituality in Malaysian Art

BONNY, Kuda Lumping, 1996, oil on canvas, 40 x 50 cm, courtesy Duta Fine Arts Foundation.

Yogyakarta

SHANE BOWER, Imagination in Metal, 1996, welded flat metal with rods and pipes, 25 x 10 cm, collection Bistro Design. Photograph Karen Bower.

Our Pacific

EXHIBITION COMMENTARY

HE KUN, The Lotus Eaters, 1996, woodblock print, Blunden Oriental, London.

Art at the Handover

RITSUKO TAHO, Zeomorphosis: Swans and Pigeons, 1996, mixed media installation, dimensions variable.

Serious Games

TEHRI GARHWAL, Krishna and the Cowgirl's Clothes, c. 1820, gouache on paper, 25 x 19 cm

Krishna: The Divine Lover

ERI TAKAYANAGI, Traveler, 1997, Keikyu Department Store, fourth storey, rooftop space.

Yokohama Synergy

HARUKO OKANO, Cocoon, 1997, live branch in florist vial, cast body shell in Kombucha fungus, 45.5 x 18 x 30.5 cm. Photograph AI Reid.

Transvisceral Borders

YOUNG-SUN LIM, Untitled, 1997, hot foam, electrical device, plexiglass, lights, 736 x 75 x 23 cm (variable).

The eye of the tiger