Issue

Editor’s Letter: All Too Human

Editor’s Letter: All Too Human

Installation view of

Dispatch: Shenzhen

*ALIA AL FARSI*, _Alia's Alley_. Photo by Asim Al Balushi. Courtesy National Pavilion of the Sultanate of Oman, Venice Biennale.

The Point: Money Well Spent?

*MAO ISHIKAWA*, untitled photograph from _Here's What the Japanese Flag Means to Me_ series, 1993-2011. Courtesy the artist and Tokyo Opera City Gallery, Tokyo.<br>

Editor’s Letter: Close to the Frame

Portrait of *MOHAMMAD RASOULOF*. Courtesy Wikimedia Commons.

139 Main News: Celebrated Filmmaker Flees Iran After Conviction

Installation view of

Art Fair Report: Small or Medium?

*TAKESHI SHIKAMA*, _Contemplation - Takadachi_, 2021, platinum palladium print, 27 x 34 cm. Courtesy Boogie Woogie Photography, Hong Kong.

One on One: Takeshi Shikama on Matsuo Basho

*SAMO SHALABY*, _The 7000th Floor_, 2023, acrylic on canvas, 120 x 90 cm. Courtesy the artist.

New Currents: Dream Worlds

Portrait of *HOOR AL QASIMI*. Photo by Daniel Boud. Courtesy Biennale of Sydney.

139 News Roundup: Career Moves, Public Domain, Controversy

Portrait of *YUNCHUL KIM*, 2024. Photo by Parker McComb. Courtesy the artist and Studio Locus Solus, Gyeonggi-do.

Where I Work: Yunchul Kim: Machines of Revelation

*NICOLAS PARTY*

Whispering Gallery: YOLO to “Yo, No”

Installation view of *LEUNG CHI WO* and *SARA WONG*'s _City Cookie (HK-Venice Version)_, mixed media, dimensions variable, 2001. Courtesy the artists.

Tracing the history of Hong Kong artists at the Venice Biennale

*MARTIN WONG*, _Liberty Mourning the Death of Her Sister - Beijing_, 1989, acrylic on canvas, 122 x 151 cm. Courtesy Sotheby's New York.

Auction Report: Global Cooling

Portrait of *DINH Q. LE*. Photo by Toni Cuhadi. Courtesy of STPI - Creative Workshop & Gallery, Singapore and PPOW, New York.

Tribute: Dinh Q. Lê (1968–2024)