Issue

Collapsed buildings in the city of Spitak in the aftermath of a major earthquake that hit northwestern Armenia in 1988. Photo by CJ Langer / US Geological Survey.

Azat Sargsyan

Lightning Fields 180, 2009, Gelatin silver print, 149.2 x 119.4 cm.All images courtesy the artist and the Pace Gallery, New York.

Hiroshi Sugimoto

Imitation of the Death of Marat by Jacques-Louis David, 1989, oil on canvas, 134 x 95 cm.All images courtesy the artist.

Mao Xuhui

WAFAA BILAL at his studio in New York.All images in this article, unless otherwise noted, by Ben Pier for ArtAsiaPacific.

Wafaa Bilal: Remote Repercussions

Across the Slope, 2008, modified car on a constructed floor. Installation view at Centre d’Art Santa Mònica, Barcelona, 2008.All images in this article are courtesy the artist.

Ahmet Öğüt: Getting Around

In The Night Garden (detail), 2010, mixed-media installation.All images in this article, unless otherwise noted, are courtesy Vitamin Creative Space, Guangzhou.

Cao Fei: Where the Grass is Greener

“Who's Afraid of Red, Yellow and Green,” 2010, installation view at 100 Tonson Gallery, Bangkok. Courtesy 100 Tonson Gallery.

Rirkrit Tiravanija: Making Conversation

MAYA LIN, Vietnam Veterans Memorial (detail), 1982, Two stone walls, 246 x 0.8 ft. Installation view at the Vietnam Veterans Memorial in Washington, DC. Photo by Brian Jeffery Begg

ONE ON ONE: Peter Robinson on Maya Lin

Art students congregating at a school in Colombo, 2011. Photo by Mieke Kooistra for ArtAsiaPacific.

DISPATCH: Colombo

The Upside of Social Networking

Portrait of AIDA MAHMUDOVA. Courtesy Yarat Contemporary Art Space, Baku.

INTERVIEW: Aida Mahmudova

CARLOS CELDRAN standing in front of the Leandro Locsin Cultural Centre of the Philippines during his Livin’ La Vida Imelda Tour, Manila, 2006. Photo by Juan Caguicia.

BACKSTORY: Carlos Celdran

TALA MADANI, Spiral Suicide, 2012, oil on canvas, 203 x 305 cm. Courtesy of the artist and Pilar Corrias gallery, London.

Stop(ped) Making Sense

CHU HING WAH, The Fortune Teller, 2006, ink and color on paper. Courtesy Hanart TZ Gallery, Hong Kong.

Gaylord Chan and Chu Hing Wah: Dong-king! Dong-king! Dong!