Issue

RANGI ENOKA, Matirita (Chrysanthemum) tivaevae tataura.

Tivaevae: Cook Islands Quilting

SEAN BROWN, Fishhook, 1991, granite, 1.8 x 1.8 x .9 m, Grand Hyatt Wailea Hotel, Wailea, Maul.

Contemporary Native Hawaiian Art

KUAI MAUEHA, Carved Figure - God of Kaitu'u, wood, 60 x 30 cm, collection the Solomon Islands National Museum. Photograph Jim Brownett.

The Spirit of the Solomons: Three Solomon Island Artists

Model of a case (Kanak house) courtesy Agence de Développement de la Culture Kanak. Photograph Michel Denancé.

Men of flesh and blood: The Jean-Marie Tjibaou Cultural Centre in Noumea

JOE NALO (Papua New Guinea), Universal Man, 1991, 190 x 140 cm, Museum of Ethnology, Frankfurt.

Modernism or Folk Art?: The Reception of Pacific Art in Europe

AMITAVA DAS, Untitled, 1992, gouache on paper, 24 x 17 cm approx., courtesy Sakshi Art Gallery, Bombay.

Amitava Das

YANK WONG, Rules (Un Tableau Carrement Rond), 1994, acrylic on canvas, 177.8 x 139.7 cm, courtesy Gallery 7, Hong Kong.

Yank Wong

YASUMASA MORIMURA, Doublonnage (Marcel), 1988, direct positive colour photograph on paper, 150 x 120 cm, collection Queensland Art Gallery.

Persona Cognita

Balinese Jegog Orchestra, Contemporary Balinese Art exhibition, National Museum, Jakarta, 1995.

Jakarta Report: Art Goes Non-Aligned

TANG DA WU, Untitled, 1994, fibreglass reinforced plastic, stainless steel, 370 x 345 x 105 cm. @Shigeo Anzai.

A Forest of Art in a Tokyo Village

JASON LIM and NG SlEW KUAN, Three Tonnes of Clay, 1995, 'New Criteria 3', The Substation.

New Criteria

MASNOORAMLI MAHMUD, The War that Never End(s). . ., 1995, mixed media on plywood, 131 x 175 cm, courtesy the artist.

The Eye of the Heart

At the closure of Silom Art Space, Chatchai Puipia sold his art at bargain-basement prices.

Lost Opportunities

KWAK HOON, Kalpa/Sound - What Marco Polo Could Not Bring from the East, 1995, installation work and performance with monks at the Venice Biennale.

Clay Idols