Issue

TAKASHI MIIKE, Gozu, 2008, NR/129min/Japanese (w/English subtitles)

Takashi Miike: Gangs, Gore and Love

West Kowloon Project concept by Foster and Partners, UK.

THE BIG PICTURE: Culture Through the Burning Glass

VITO ACCONCI, still from Openings (December 1970) Super 8 Film, color, silent. 15 minutes. The films opens with a close-up on the artist's stomach, Covered with hair. The frame is

THE POINT: A Touch of Crass

BHARTI KHER, I've Seen an Elephant Fly, 2002, acrylic and vinyl bindis on fiberglass. Courtesy Nature Morte.

HOT SPOT: Double Bypass

MELLA JAARSMA, Hi Inlander (Hello Native), 1998–99, installation comprising treated skins (fish, chicken, frog, kangaroo), 140 x 84 cm. Purchased 2000. Courtesy Queensland Art Gall

Queensland Looks East

ONE ON ONE: David Kim on Haeyoung Kim Boy

WANG GUANGI, paperback, 9.75 x 11 inches, 204 pgs, 80 color and 32 black-and-white. Courtesy Distributed Art Publishers.

HOT SPOT: Jet-lag: Catching Up With Timezone 8

BARI KUMAR, Devoid, 2002, oil on canvas, 40 x 30 inches. Courtesy Bose Pacia Gallery.

All in the Family: The Ahuja Collection of Indian Contemporary Art

LIDA ABDUL,

Lida Abdul: By Invitation Only

UNTITLED, 2004, fabric painting, 42 x 32 inches. Courtesy Foxy Production, New York.UNTITLED RENEE, 2004, fabric painting, 20 x 16 inches. Courtesy Foxy Production, New York.

David Noonan: A Beautiful Horror

Still from PURSUIT CURVE, 2004, video animation. Courtesy Brent Sikkema NYC.

Shahzia Sikander: From Lover to Foe and Back Again

Detail of POST MARIJUANA, Sand and Section Script, 2001, ink on paper, 12 x 18 inches. Courtesy the artist.

Fung Ming Chip: Chinese Tradition in the Modern World

KANDALAMA HOTEL DAMBULLA, 1991, Photograph by Dominic Sansoni.BLUE WATER HOTEL, WADDUWA, view of the main court, 1996, Photograph by David Robson.

Geoffrey Bawa: Better Living By Design

Tokyo: Kitty Ex.