Issue

JOYCE CAMPBELL, Terminal, 1995, installation, Artspace, Auckland.

Bodies in Question

SADASHI INUZUKA, Nature of Things, 1995, clay installation, 6000 square feet.

Nature of Things: Sadashi Inuzuka

BAYU UTOMO RADJIKIN, Damaged, 1990, oil on wood.

Bayu Utomo Radjikin

PINAREE SANPITAK, The Black and the White, 1995, acrylic and pastel on canvas, 200 x 150 cm.

Three Women

AHN SUNG-KEUM, La Strada per Buddha, 1995, Buddhist Sutra on canvas, plastic and bronze, flour, dimensions variable.

You art not here

The old Vanuatu Cultural Centre showing the namwele plant. Photograph Lissant Bolton.

An itinerant museum: The new Vanuatu Cultural Centre

Brenwei Dancers at Mini Arts Festival, Vila, Vanuatu. Photograph Lissant Bolton.

Dance Party

FRITZ SARASIN, Hienghène, 1911.

Kanak Portraits

LILIANE ROGOZYK, Fleur de Nickel (Nickel Flower) (detail), 1995, ferro-nickel, photograph courtesy the artist.

Le nickel + L'initiative

RICK BARTOW, Complex My Story (Susanna and the Elders I), 1995, pastel and graphite on paper, 101.5 x 66 cm, courtesy Froelick Adelhart Gallery, Portland

Burning Bridges

EDGAR HEAP OF BIRDS, Vacant, 1994, marker on rag, 198 x 305 cm, courtesy Saint Louis Art Museum.

Sixteen words

YUK KING TAN, Ping, 1995, mixed media, 163 x 140 x 14 cm, courtesy the artist and Sue Crockford Gallery.

New Zealand Neuroses

PABLO PICASSO, Massacre in Korea, 1951, oil on canvas, 109.5 x 209.5 cm. Collection Musée Picasso, Paris. © Succession Picasso/DACS 1996.

From Chosun Dynasty to Segehwa: A Cultural Mapping Of Contemporary Korea

CHOI JEONG-HWA, The Death of the Robot- About Being Irritated, 1995, fabric, air compressor, oil pressure equipment, movement timer, CD player and speakers, 500 x 700 x 200 cm. Pho

Videomatic: The momentum of contemporary Korean art