Issue

lEA, Resistance II, 1993, (detail) C type photographs mounted on archival board, one panel of triptych, 60 x 86 cm, courtesy Boomalli Aboriginal Artists Co-operative, Sydney.

Reviews: True Colours: Aboriginal and Torres Strait Islander Artists Raise the Flag

RUTH WATSON, Two Dogs, 1993-94, cibachrome transparency installed at Air New Zealand domestic terminal, Wellington Airport. Photograph courtesy the artist.

Reviews: ART NOW

IRENE CHOU, Inspiration I, 1993, ink on paper, 96.5 x 181 cm.

Reviews: Four Female Artists

SUI JIANGUO, Structure No. 29, 1994, stone and iron, 65 cm (length).

Reviews: Now, Dream of East

NGUYEN QUAN, Human Face, 1993, oil on canvas, 90 x 90 cm.

Reviews: Nguyen Quan

Sumba cloths, the woven hinggi kombu, decorating a compound for a ceremonial. Photograph Jasleen Dhamija.

Conference Report: The Cosmogony of Textiles: The 1994 Jakarta textile conference

Installation view of the room 'Mono-ha and Beyond the Sculptural Paradigm' from the exhibition 'Japanese Art After 1945', Guggenheim Museum SoHo. Photograph David Heald.

Exhibition Review: Scream Against the Sky

DEDE ERI SUPRIA, Mother and Portrait of a City, 1983, oil on canvas, 100 x 132 cm. Photograph Helena Spanjaard.

Book Review: Soul, Spirit and Mountain: Preoccupations of Contemporary Indonesian Painters

Mary Northmore and gallery assistants in front of Seniwati Gallery. Photograph Astri Wright.

Bali Report: The Seniwati Gallery of Women's Art

HAN SAI POR, Towards Peace, 1987, marble, courtesy the artist.

Trouble at Hand: Singapore Women Artists

LIU CHIN-TANG, The Abandoned, 1934.

From anguish to irony: The Chinese identity complex in Taiwanese art

FERDINAND MONTEMAYOR, Drugstore, Etc., 1994, oil on canvas, 99 x 122 cm, courtesy Boston Gallery.

Salingpusa: Manila on canvas

MICHAEL SHEPHERD, Weeds (Paspalum), 1987, oil on board, 58 x 80 cm, courtesy Claybrook Gallery, Auckland, New Zealand. Photograph Mark Adams.

Weeds and Monuments: Michael Shepherd and the language of colonialism

KHO NAK-BEOM, Death of Marat, 1995, mixed media, Gallery Boda, Seoul.

Museum: Works by Kho Nak-Beom