Issue

VASAN SITTHIKET, Committing Suicide Culture: The Only Way Thai Farmers Escape Debt, 1995, plywood, metal, rope, 250 x 400 x 150 cm. Photograph Norihiro Veno.

Asian Modernism: Diverse Developments in Indonesia, the Philippines and Thailand

JOSEPH BEUYS, Die Horner (The Horns), 1961,145 cm high.

Art in trouble with the law in Hong Kong

Gallery Yamaguchi, showing sculpture by Kenji Sugiyama. Photograph Satoru Nagoya.

The art least likely to sell: Rental galleries in Tokyo

HONG SUNG-DO, Time Travel, 1995, BMW 325i car, wire, vise-grip, Art Tower Mito. Photograph Shigeo Anzai.

The Spaces Between: Territory of Mind: Korean Art of the 1990s

PAUL KLEMANN, Ozon Korrels CMU, 1993, painting, Cemeti Art Foundation.

Cultural Orientations: Art from the Netherlands and Indonesia

top: CHOI JEONG HWA, Miss Korea, 1994, polycoat, 47 x 82 x 64 cm. middle: LEE BUL, Majestic Splendour, 1995, (detail), fish, sequins, glass, steel box, 100 x 100 x 100 cm. bottom:

Harvest Moon: The Ssack exhibition at the Sonje Museum

CHU CHU YUAN, Preservation, May 1994, glass jars, light bulbs, rubber nipples, metal bowls, oil, eggs, milk, rope, concrete debris, Pacific Plaza Shopping Centre, Singapore.

Alternative Spaces and Radical Pleasures: Department Store Art

Everyday Sightings: An Interview with Wang Youshen

HAN LEI, Kaifeng, Henan Province, 1991.

Imagining Reality: Contemporary Chinese Photography

RIRKRIT TIRAVANIJA, Untitled (Still), 1995, installation, 303 Gallery, New York.

Letting Go

MARIKO MORI, Tea Ceremony, 1994, duraflex print, 122 x 152.5 cm, courtesy American Fine Arts.

The Cyber Chic of Mariko Mori

REA, Yellow Reminds Me of the Roses Which I Put on My Uncle's Grave from the series 'Highly Coloured - My Life is Coloured by My Colour', 1993-94, computer-generated photograph, 18

Mind, Body and Soul: The photographic and computer art of Rea

CATHERINE TRUMAN, ....Supple as a Garment of Heavy Water, 1991, mother of pearl, inks, 7 x 3 x 1.5 cm

Catherine Truman: On Not Being Japanese

JACQUELINE FRASER, The Veil, 1994, wire, ninety-two pieces, 100 x 280 crn, Peter McLeavey Gallery, Wellington.

Totally Wired: Jacqueline Fraser's poetics of space