Issue

MINEKO GRIMMER, Reflections, 1992, installation view, wood, pebbles, ice, courtesy Koplin Gallery, Los Angeles

Shifting Perceptions: Contemporary LA Visions

EMILY KAME KNGWARREYE, Atnwelarr - Yam Dreaming, 1995, synthetic polymer paint on linen, 90 x 151 cm, courtesy Gallery Australis. © Emily Kame Kngwarreye, 1995/Permission of VISCOP

A complex prism: Indigenous influences in Australian art

Text and subtext

Line Writing, 1994, six rows of red neon and Laotian script, 700 x 150 cm, collection Irish Museum of Modern Art, Dublin. © Stephen Friedman Gallery, London.

Vong Phaophanit

JOSE LEGASPI, Greed, 1997, pastel on paper, 92 x 61 cm.

Eating their words : A Filipino Narrative

KATE BEYNON, Li Ji Warrior Girl, 2000 (details), animated video.

warrior girl: Kate Beynon’s tussle with language

SEONG CHUN, Untitled (Fully Equipped), 1998,text on crocheted paper, thread, 2.65 x 2.7 x 1.3 m.

Suspended in ambivaence: The installations of Seong Chun

NAM JUNE PAIK in collaboration with NORMAN BALLARD, PAUL GARRIN, DAVID HARTNETT and STEPHEN VITIELLO, Modulation in Sync, 2000, laser projections installation, Guggenheim Museum, N

TV Buddha, video fish: The worlds of Nam June Paik

DENNIS ASCALON, For I am the Truth and the Only Way,1998, mixed media, 126 x 95 cm

Picnic in an art garden: The 2000 Kwangju Biennale

YU PENG, Studio of the Heart: How Glad, 1992, ink on paper, 139 x 138.5 cm.

Man and Earth

ZHAO BANDI, The Big Rumour, Spreading Until Today, 1994, iron and perspex, 150 x 300 cm.

Moonflight in Beijing

ANTONIO MAK, Heaven and Hell, 1993.

A Poverty of Space

ALEXIS (KCHO) LEYVA, Untitled, 1994, Fifth Havana Bienal.

La Quinta Bienal de la Habana

NALINI MALANI, Dreamings and Defilings, 1991, accordion book, 22.9 x 279.4 cm. Side 1: watercolour, ink and enamel on mylar. Side 2: watercolour on monotype and photocopied collage

Nalini Malani: Missives from the Streets