Issue

YANK WONG, Rules (Un Tableau Carrement Rond), 1994, acrylic on canvas, 177.8 x 139.7 cm, courtesy Gallery 7, Hong Kong.

Yank Wong

YASUMASA MORIMURA, Doublonnage (Marcel), 1988, direct positive colour photograph on paper, 150 x 120 cm, collection Queensland Art Gallery.

Persona Cognita

Balinese Jegog Orchestra, Contemporary Balinese Art exhibition, National Museum, Jakarta, 1995.

Jakarta Report: Art Goes Non-Aligned

TANG DA WU, Untitled, 1994, fibreglass reinforced plastic, stainless steel, 370 x 345 x 105 cm. @Shigeo Anzai.

A Forest of Art in a Tokyo Village

JASON LIM and NG SlEW KUAN, Three Tonnes of Clay, 1995, 'New Criteria 3', The Substation.

New Criteria

MASNOORAMLI MAHMUD, The War that Never End(s). . ., 1995, mixed media on plywood, 131 x 175 cm, courtesy the artist.

The Eye of the Heart

At the closure of Silom Art Space, Chatchai Puipia sold his art at bargain-basement prices.

Lost Opportunities

KWAK HOON, Kalpa/Sound - What Marco Polo Could Not Bring from the East, 1995, installation work and performance with monks at the Venice Biennale.

Clay Idols

ZHANG XIAOGANG, Comrades, 1995, oil on canvas, 130 x 100 cm.

Foreign Bodies

GAlL BAKUTIS, Dream Tablet I, 1995, paper, clay, 66 x 53 x 2.5 cm. Photograph Tibor Franyo.

Not Venice, Hawaii

PETER PERYER, Dead Steer (Waikato), 1987, 24 x 24 cm, reproduced on the cover of the catalogue for 'Second Nature'.

Kowtowing to Commerce

Cover of Signals magazine, vol. 1, no. 7, 1965.

Locating David Medalla

HANH THI PHAM, Lesbian Precepts, 1995, mixed media, 244 x 213 x 30.5 cm. Photograph Daniel Mirer.

Disorienting Territories

ZHANG HUAN, 12m2, May 13, 1994, Beijing. Photograph Ai Weiwei.

Beyond The Cynical