Issue

The Hyundai Development Company

Libeskind Reinvents the Wheel

KIMSOOJA, Conditions of Anonymity, 2005, photo by Charlie Samuels. Courtesy Creative Time and Peter Blum Gallery, New York.

Strike a Pose (At Every 59th Minute)

Ingrid Muan, 1966 - 2005

Ingrid Muan, 1966 - 2005

Semsar Siahaan, 1952 - 2005

Long Hair being

Long Hair, Hong Kong and the Theater of the Absurd

NOH SANG-KYUN, For the Worshippers, 2000, mixed media, 95 x 303 x 65 cm. Noh participated in the 1999 Korean Pavilion with Lee Bul.

Double Vision at a Jam-Packed Korean Pavilion

HE YUNCHANG, Untitled, 2004, performance. Courtesy the artist.

A Match Made in Shanghai

HAYAO MIYAZAKI, Porco Rosso, 1992. © 1992 Nibariki.

MOMA Wild for "Anime!!"

BITA FAYAAZI, Crows, 1998, sculptural installation. Courtesy the artist.

West and Center: An Asian Presence at 51st Venice Biennale

LIU HONG YUAN, Untitled, 2004, mixed media, 74 x 51.5 cm. Courtesy Schoeni Art Gallery, Hong Kong.

Painting Against the Grain

ARAYA RASDJARMREARNSOOK, Detail of Reading for Corpses, 2002, video installation. Courtesy the artist.

Death in Venice: Montien and Araya

XU ZHEN, Conceptual rendering of Shout, 2005, DVD players, projectors and audio system, dimensions variable. Courtesy China Pavilion, Venice Biennale, 2005.

No Introductions Necessary

Alter #1 (Unrealized), 1999-2003, United Overseas Bank (Singapore). Proposal. First proposed in 1999, to shift the sculpture by Salvador Dali, Homage to Newton, one meter from it p

The Ridiculous and the Sublime

Mother's #42, 2001, Silver gelatin print. Courtesy Sepia International.

All About My Mother