Issue

HELEN GEIER, Shadow Fans, 1999, block print, sewn kardi, paper, silk, organza, 150 x 100 cm.

Helen Geier

Portrait of Yoshitomo Nara. Photo by Minami Tsukamoto. Courtesy Blum & Poe, Los Angeles/Tokyo.

Yoshitomo Nara

ZHANG HUAN, My America, 1999 (details), performance and video, courtesy Deitch Projects, New York. Photograph Claire Garoutte.

Zhang Huan

TADASHI KAWAMATA, Passarelle, 2000, timber installation and sketch of installation, dimensions variable.

Tadashi Kawamata

SHAHZIA SIKANDER, Elusive Realities, 2000, triptych, acrylic on canvas, each 305 x 203 cm.

Shahzia Sikander

Interior view of replica Korean house and BYRON KIM, Not Even One Spot of Shame,2000, acrylic, watercolour on Korean paper on screen.

Korean American views: On exile, travel and unbelonging

TAKASHI HOMMA, Tokyo Suburbia, 1999, photographs, installation view.

Turning to the everyday: Land/mind/body-scapes in Tokyo

YORK DER KNOEFEL, Ajax 2000,1999, video installation, Akihabara TV project, command N.

In-between discourses: Alternative art spaces in Tokyo

MINEKO GRIMMER, Reflections, 1992, installation view, wood, pebbles, ice, courtesy Koplin Gallery, Los Angeles

Shifting Perceptions: Contemporary LA Visions

EMILY KAME KNGWARREYE, Atnwelarr - Yam Dreaming, 1995, synthetic polymer paint on linen, 90 x 151 cm, courtesy Gallery Australis. © Emily Kame Kngwarreye, 1995/Permission of VISCOP

A complex prism: Indigenous influences in Australian art

Text and subtext

Line Writing, 1994, six rows of red neon and Laotian script, 700 x 150 cm, collection Irish Museum of Modern Art, Dublin. © Stephen Friedman Gallery, London.

Vong Phaophanit

JOSE LEGASPI, Greed, 1997, pastel on paper, 92 x 61 cm.

Eating their words : A Filipino Narrative

KATE BEYNON, Li Ji Warrior Girl, 2000 (details), animated video.

warrior girl: Kate Beynon’s tussle with language