Issue

MARIKO MORI, Kumano, 1998, video still.

A Super-Flat Reality

SURASI KUSOLWONG, Free-For-All Project (Tokyo), 2000, mixed-media installation, dimensions variable.

Gifts, Hopes, Encounters

'Shoreline: Particles and Waves', 1998 (detail), website.

MAAP

TETSUYA ISHIDA, Rooftop Refugee, 1996, Private collection. Courtesy Gallery Q, Tokyo and Committee of Tetsuya Ishida’s Exhibition.

Yokohama Triennale

WANG JIN, Ice: Commercial War in Central China '96, 1996, performance, Zhengzhou City.

A Return To the Real

HUANG CHI-YANG, Bridge and Norman No. 1, 1999, Chinese ink on silk, 246.4 x 124.5 cm, courtesy Ethan Cohen Fine Arts, New York.

Huang Chi-yang

SOWON KWON, Two or Three Corridors, 2000, video still, courtesy Whitney Museum of American Art at Philip Morris, New York.

Sowon Kwon

GUO JIAN, Double Happiness, 2000, oil on canvas, 142 x 224 cm, courtesy Ray Hughes Gallery, Sydney.

Guo Jian

The Red Thread

The Red Thread

Tjibaou Cultural Centre, Noumea.

Our Identity Lies Ahead

DOUG AITKEN, Blow Debris, 2000, multi-projection video installation with architectural elements, dimensions variable, courtesy the artist and 303 Gallery, New York.

Flight Patterns

ANITA MAGSAYSAY-HO, Lavandera (Laundry Women), 1957, oil on board, 45 x 53 cm, private collection

12 ASEAN Artists

TURKEY TOLSON TJUPURRULA, Straightening Spears at Ilyingaungau, 1990, synthetic polymer paint on linen, 181.5 x 243.5 cm, collection the Art Gallery of South Australia, Adelaide.

Papunya Tula

Entrance to the former Gokusho Elementary School.

Museum City Fukuoka