Issue

TAKASHI MURAKAMI, Panda (detail), 2003. © 2003 Takashi Murakami.

New York: Takashi Murakami

ATTA KIM, Museum Project, 2003. Courtesy Japan Society, New York.

New York: The Year of New Work: Contemporary Asian Photography

MEL CHIN, Cabinet of Craving, 2012, white oak, antique English boneware (circa 1843), footed silver tray, steel, pigmented dye and shellac, 274.3 x 426.7 x 426.7 cm. Installation v

New York: Mel Chin

IN-HYUNG KIM, Untitled H2, 2003. Acrylic Paint, pencil, water colored pencil on canvas, 38-51.25 inches.

New York: In-Hyung Kim & Jian-Jun Zhang

RULDOPH STINGEL, Untitled, 1994. Pigmented cast, polyurethane rubber, at 18.5 x 21.5 x 9 inches. Photo: D. James Dev, Courtesy Paula Cooper Gallery, New York.

New York: Commodification of Buddhism

ZHANG HONGTU, Kekou-Kele, 2002, Porcelain.

New Jersey: Shuffling The Deck

ROBIN RHODES, He Got Game, 2000. Performance at Observatory, Cape Town, South Africa. Courtesy of the artist and the Walker Art Center, Minneapolis.

Minneapolis: How Latitudes Become Forms: Art in a Global Age

ARAKI NOBOYUSHI, Sentimental Journey, 1971.

Houston: The History of Japanese Photography

BOOK REVIEWS: On the Mid-Ground Hou Hanru: Selected Texts

BOOK REVIEWS: On the Mid-Ground Hou Hanru: Selected Texts

IONA BROWN, a3 blackface, #58, 2003. Courtesy the artist.

Between the Lines

Letter from the Publisher

Letter from the Publisher

Minoru Mori, President & CEO, Mori Building Co., Ltd., Founder, Mori Art Museum, Yoshiko Mori, Chairperson, Mori Art Museum Board (Photo: Takashi Homma)

Mori Art Museum

Lintel overhanging an entryway to the Asian Art Museum's Southeast Asian Gallery. Photo by Kaz Tsuruta.

San Francisco Asian Art Museum Opening

Photo courtesy of Tim Evans.

Asian Roots