Issue

Sharjah Biennial 9

Sharjah Biennial 9

SIMRYN GILL, My Own Private Angkor, 2007– , from a series of gelatin silver prints, 39 x 38 cm. Courtesy the artist and Breenspace, Sydney.

Sydney: Simryn Gill

Tokyo: Ryoji Ikeda

PENG HUNG-CHIH, Farfur, the Martyr, 2008, fiberglass fountain, 213 x 200 x 180 cm. Courtesy IT Park Gallery, Taipei.

Taipei: Peng Hung-chih

Installation view of “Qiu Zhijie: Breaking Through the Ice” at Ullens Center for Contemporary Art, Beijing, 2009. All photos by Oak Taylor-Smith. Courtesy Ullens Center for Contemp

Beijing: Qiu Zhijie

DANY CHAN, Kbach Phni Vois, 2008, pencil shavings on wood, 150 x 100 cm. Courtesy 10 Chancery Lane Gallery, Hong Kong.

Hong Kong: Forever Until Now

SUBBA GHOSH, Within Darkness (A Homage to Nat King Cole in Today’s World), 2009, acrylic on canvas, 80 x 108 in. Courtesy Anant Art Gallery, New Delhi.

New Delhi: Subba Ghosh

Installation view of CHOI JEONG HWA’s “Shine a Light” at Korean Cultural Centre, London, 2009.

London: Choi Jeong Hwa

JAISHRI ABICHANDANI, Whip Drawing for Palestine, 2009, leather whips, Swarovski crystals, wire, paint, nails, dimensions variable. All photos courtesy Arario Gallery, New York.

New York: Artists in Exile

ATELIER BOW-WOW, Small Case Study House (BBQ House), 2009. Installation view at Redcat Gallery, Los Angeles, 2009.

Los Angeles: Atelier Bow-Wow

SK-INTERFACES: EXPLODING BORDERS IN ART, SCIENCE AND TECHNOLOGY, by Jens Hauser. Published by Liverpool University Press, Liverpool, 2008. Softcover with color illustrations, 150

BOOK REVIEWS: Future Trajectories

Ayah Bdeir in her work space at Eyebeam, New York, 2009.

Ayah Bdeir

Illustration by Suck Zoo Han.

THE LAST WROD: Elusive Aesthetics

New Frontiers