Issue

NARAHARA IKKO, Two Garbage Cans, Amerindian Village, 1972. Silver bromide paper, 40.5 x 50.5 cm.

Hyper Reality: Contemporary Images from the Museum Collection

LI WEI, Mirror, Venezia, 2005. C-print photograph. 176 x 212 cm. Courtesy 10 Chancery Lane Gallery.

Li Wei: A Pause for Humanity

KONSTANTIN BESSMERTNY at his studio in Macau.

Konstantin Bessmertny

WANG WEI, Listen, 2006. Frosted glass, person, spotlights. Courtesy Marella Gallery, Beijing.

Fancy Dream

MICHAEL SHAOWANASAI, Di (Good), 2006. Acrylic on canvas.

Michael Shaowanasai: Good: New Paintings 2549

ANISH KAPOOR, My Red Homeland, 2003. 25 tons red-colored Vaseline, hydraulic motor, steel block. 12 meters diameter. Courtesy the artist, Lisson Gallery, London, and Barbara Gladst

Anish Kapoor: My Red Homeland

TIM LEE, It Takes A Nation Of Millions To Hold Us Back, Public Enemy, 1988. 2006. C-print. 152.5 x 198 cm.Courtesy the artist and Lisson Gallery.

Tim Lee

BILL HENSON, Untitled, 2005-06. Type

Bill Henson

RANJANI SHETTAR, Detail of I am no one to tell you what not to do, 2006. Five-color woodcut print. 95 x 39 inches. Courtesy ARTPACE, San Antonio, and Talwar Gallery, New York.

Ranjani Shettar

MICHAEL ARCEGA, Detail of Conquistadorkes, 2005. Manila folders, glue, and acrylic hardware. Each 72 x 18 x 24 inches.Photo by Steve Zavattero.

Michael Arcega

Film Review: Lady Vengeance

Film Review: Lady Vengeance

Palestinian Art.

Book Review: Palestinian Art

Ujino Muneteru in his studio.

Ujino Muneteru

GEISAI #9, Gold Medalist Soichi Yamaguchi. Photo by Kanako Aida.

Takashi Murakami's Lowbrow Launchpad