Issue

CHI PENG, I Fuck Me II-6, 2005, C-print. 100 x 100 cm. Courtesy Art Seasons Gallery.

Singapore: Chi Peng

TOP CHANGTRAKUL & CHATTIYA NITPOLPRASERT, Recreationology, 2006, Installation view at the Art Center, Chulalongkorn University. Courtesy the artists.

Bangkok: Top Changtrakul & Chattiya Nitpolprasert

JOANA HADJITHOMAS and KHALIL JOREIGE, Postcard of war #1/18 from Wonder Beirut: The Story of a Pyromaniac Photographer, 1998-2006, Courtesy the artists.

Oxford: Out of Beirut

NALINI MALANI, Of Men and Monsters, 1997, Watercolor and enamel on transparent sheet, 38 x 32 cm, Courtesy the Peabody Essex Museum.

Nalini Malani

YOSHITAKA AZUMA, I Go Mad #3, 2006, Gesso, acrylic ink, gouache, and oil on canvas. 15.7 x 22.6 cm. Courtesy Deitch Projects and Hiromi Yoshii.

New York: After the Reality

ATTA KIM, ON-AIR Project, Self-Portroit Series, 100 countries/100 men. 2004. C-print. Courtesy Atta Kim.

New York: Atta Kim

ZAHA HADID, The Peak, Hong Kong, Blue Slabs, 1982-83, Acrylic on cartridge paper, 282 x 183 cm. Courtesy Zaha Hadid Architects, London.

New York: Zaha Hadid

ANJOLIE ELA MENON, Yatra, 2004, Oil on masonite board, Courtesy Asian Art Museum.

San Francisco: Anjolie Ela Menon

All film stills from director Ashim Ahluwalla's John & Jane. Courtesy Future East film, Bombay.

FILM REVIEW: John & Jane

Buddha Mind in Contemporary Art.

BOOK REVIEW: Buddha Mind in Contemporary Art

JA-YOUNG KU, BeAt, 2006, performance with video projection, audio and motion capture system. Courtesy the artist.

Ja-Young Ku Illusion in the Post-medium Condition

Safe House

Maurizio Cattelan and Arto Lindsay inspect a Tibetan sand mandala, New York, 2002. Photo courtesy Diego Cortez.

STATE OF THE ART: Is The Object Sacred?

NEWS: Manchester