Issue

THE PROPELLER GROUP, AK-47 vs M16: Gel Block 21 of 21, 2015, Fragments of AK-47 and M16 projectiles encased in ballistics gel, 18 x 43 x 18.4 cm. Copyright the artists. Courtesy Ja

Chicago: The Propeller Group

IRWAN AHMETT and TITA SALINA with the FUKUSHIMA MON AMOUR COLLECTIVE, 1103 Sunsets, 2014, Still from video: 5 min 8 sec. Photo by Yoi Kawakubo. Courtesy the artists.

Auckland: Irwan Ahmett and Tita Salina

AMY SPIERS and CATHERINE RYAN, The Least of the Doorkeepers (It Is Possible But Not at the Moment), 2016, Documentation of performance at Monash University Museum of Art, Melbourne

Melbourne: Borders, Barriers, Walls

TOM NICHOLSON, Scenes for an Archipelago, 2015–16, Twelve unsynchronised HD videos and sixty-five resin-cast diorama figurines. Courtesy the artist and Milani Gallery, Brisbane.

Brisbane: Frontier Imaginaries

LIU WEI, Merely a Mistake II No. 1, 2009–12, Doors, door frames, acrylic board and stainless steel, 670 x 450 x 320 cm. Photo by Sang Tae Kim. Courtesy the artist and Plateau, Sams

Seoul: Liu Wei

MASUNOBU YOSHIMURA, Cooking, 1967–76, Kitchen microwave and fluorescent tubes, 40 x 52 x 37 cm. Courtesy Tokyo Gallery + BTAP, Tokyo.

Tokyo: Masunobu Yoshimura, Ushio Shinohara, Nobuaki Kojima

Taipei: Yuko Mohri

TAKAO MINAMI, Puppet Study No. 4, 2010, Video projection and program-controlled blind, dimensions variable, Photo by Andrew Stooke for ArtAsiaPacific.

Shanghai: The Shadow Never Lies

LIU DAHONG, Happy Music Mountain, 2012, oil on canvas, 100 x 100 cm. Courtesy the artist and Hanart TZ Gallery, Hong Kong.

Hong Kong: Liu Dahong

TIM SILVER, Untitled (Oneirophrenia) (blue) #2, 2015, Pure white concrete, marble dust and pigment, 38.5 x 24 x 26 cm. Courtesy the artist and Sullivan+Strumpf, Singapore.

Singapore: Arrival

BHUPEN KHAKHAR, Portrait of Shri Shankarbhai V. Patel Near the Red Fort, 1971, oil on canvas, 92 x 92 cm. Courtesy Bhupen Khakhar Estate and National Gallery of Modern Art, New Del

New Delhi: Many Facets of an Artist

ALI CHERRI, Fragments, 2016, Archaeological artifacts, taxidermy bird and light table, dimensions variable. Installation view from the exhibition “A Taxonomy of Fallacies: The Life

Beirut: Ali Cherri

REZA DERAKSHANI, Red Green Hunt, 2015, oil on canvas, 178 x 298 cm. Courtesy the artist and Sophia Contemporary Gallery, London.

St. Petersburg: Reza Derakshani

DINH Q. LÊ, Erasure, 2011, Mixed-media installation: boat wood fragments, rocks, thousands of found photographs, desk and chair, table lamp, computer, scanner, internet connection,

Kolding: When Things Fall Apart – Critical Voices on the Radars