Issue

Installation view of “The Eighth Climate (What Does Art Do?),” Gwangju Biennale 11, 2016 with (upper left) AGNIESZKA POLSKA’s digital print The Glass of Petrol, 2015. Courtesy Gwan

Gwangju: Gwangju Biennale 11

ANGELICA MESITI, The Colour of Saying, 2015, still from 3-channel HD digital video: 25 min. Courtesy the artist and Anna Schwartz Gallery, Melbourne.

Sydney: Telling Tales: Excursions in Narrative Form

MAKOTO AIDA, Su-Ha, From “Lunchbox Paintings” series, 2016, disposable lunchbox, urethane foam, oil and acrylic gouache, 22 x 29.6 x 4 cm. Copyright the artist. Photo by Kei Miyaji

Tokyo: Makoto Aida

SIMRYN GIL, Vegetation, 2016, black-and-white Ilfochrome print, 40 x 40 cm each. Courtesy Utopia Art Sydney.

Manila: Soil and Stones, Souls and Songs

ÂNGELA FERREIRA, A Tendency to Forget, 2015. Installation view of 10th Taipei Biennial, Taipei Fine Arts Museum, 2016. Multimedia: sculpture (MDF, pine beams, iron), LCD, 460 × 565

Taipei: Taipei Biennial

LOUIS E BOURGEOIS, Crouching Spider, 2003, steel, 270.5 × 835.7 × 627.4 cm. Courtesy Long Museum, Shanghai.

Shanghai: SHE

ADRIAN WONG, Dream Cosmography, 2015, MDF, Teflon, steel, magnets, mechanical components, carpet and beanbags, dimensions variable; video: 7 min 30 sec. Courtesy the artist.

Shenzhen: Summer Triangle

LIANG JUHUI, One Hour Game, 1996, still from video: 14 min 19 sec. Courtesy Times Museum, Guangzhou.

Guangzhou: Operation PRD - Big Tail Elephants: One Hour, No Room, Five Shows

STEPHANIE BURT, O Dear What Can the Matter Be, 2016, wallpaper, paint, metal poles, thread, wire, wood, paper, nails, needle, lace, leather, fluorescent light, cloth, fence, ribbon

Singapore: O Dear What Can the Matter Be

APICHATPONG WEERASETHAKUL, Sakda (Rousseau), 2012 Still from single-channel video: 6 min. Courtesy Para Site, Hong Kong.

Chiang Mai: Apichatpong Weerasethakul

CHRISTTO SANZ and ANDREW WEIR, A Portal to Another Dimension, 2016, mixed media, dimensions variable. Courtesy the artists and Qatar Museums Authority, Doha.

Doha: Artists in Residence 2015/2016

SHAHZIA SIKANDER, Portrait of the Artist, 2016, etchings and colophon text by Ayad Akhtar, suite of 4: 68.6 x 53.3 cm each. Courtesy the artist.

Rome: Shahzia Sikander

MONA HATOUM, Light Sentence, 1992, galvanized wire mesh lockers, electric motor and light bulb, 198 x 185 x 490 cm. Copyright the artist. Photo by Philippe Migeat. Courtesy Centre

London: Mona Hatoum

ZHANG PEILI, Continuous Reproduction , 1993, gelatin silver prints, set of 25: 28.6 x 24.1 cm each. Courtesy Asia Society, New York.

New York: Zhang Peili