Issue

Installation view of “Enchantment as Function: Revisiting Postmodernism” section, “Shifting Objectives: Design from the M+ Collection,” at M+ Pavilion, Hong Kong, 2016–17.Photo by

Hong Kong: Shifting Objectives: Design from the M+ Collection

BAKH BAKH, 1985/2015, acrylic and fabric on canvas, 90 x 90 x 12 cm. Courtesy Estate of Hassan Sharif and Gallery Isabelle van den Eynde, Dubai.

Rebels with Causes

Letters & Corrections

DEEPAK UNNIKRISHNAN, Temporary People, 2017, Paperback anthology, 240 pages. Published by Restless Books, New York. Courtesy Lantian Xie.

ONE ON ONE: Lantian Xie on Deepak Unnikrishnan

Panoramic view of Tbilisi, Georgia. Photo by and copyright Georgios Giannopoulos.

DISPATCH: Tbilisi

Illustration by O Hezin.

THE POINT: Expanding the Vision for Arts Patronage

All illustrations by Marta Grossi, based on film stills from F is For Fake (1974) by Orson Welles.

F for Forensics

Portrait of Jaime C. Laya. Courtesy Manila Water Company, Inc., Quezon City.

Jaime C. Laya

Portrait of Agah Uğur. Photo by Yurttaş Tümer. Courtesy Agah Uğur.

Agah Uğur

Portrait of Clifton Ng. Photo by Michael Young for ArtAsiaPacific.

Clinton Ng

Portrait of Jin-Goon Kim. Photo by Jessica Keung for ArtAsiaPacific.

Jin-Goon Kim

Portrait of Jenny Wang. Courtesy Fosun Foundation, Shanghai.

Jenny Wang

Portrait of Evan Chow. Photo by Jessica Keung for ArtAsiaPacific.

Evan Chow

CADMIUM RED, 2014, mixed media, 98 x 165 x 4 cm. Copyright the artist. Courtesy Alexander Gray Associates, New York, and Gallery Isabelle van den Eynde, Dubai. Unless otherwise sta

Hassan Sharif: Staying Alive